New Music Reviews
The Bevis Frond, The Lexington review - stunning psychedelic rockMonday, 14 November 2022
Very little points to anything specific. Parts of “Superseded” nod towards the 1968 Pretty Things’s track “Eagle’s Son”. Elsewhere in the set, a circular bass guitar figure is reminiscent of a motif from Spirit’s “1984”. But for a band so explicitly looking to rock’s psychedelic lineage, the influences are effortlessly subsumed into the whole to become mostly invisible foundations rather than noticeable elements of the superstructure. Read more...
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Courtney Barnett, Brighton Dome review - canny, poetic singer shows she can rock out with the bestMonday, 14 November 2022
There’s a disconnect between Australian singer-songwriter Courtney Barnett on record and in concert. On record, especially on her latest album, her dryly-stated, touching emotional lyricism is to the fore, but in the live arena you’re as likely to be presented with a scorching rock goddess, playing with her fingers and no plectrum. Read more... |
Franz Ferdinand, OVO Hydro, Glasgow review - a homecoming with all the hitsSunday, 13 November 2022
There was something devilish about Alex Kapranos at this homecoming gig, and not simply due to the blood red shirt the Franz Ferdinand frontman was wearing. Throughout the night the singer would cajole and conduct the crowd with finger-pointing flair, as if tempting them to join him on the dark side, and when he spoke it was to demand more from the audience like a preacher zealously seeking extra funding for a mega church. Read more... |
Music Reissues Weekly: Ride - 4 EPsSunday, 13 November 2022
“When we started out we were really just an amalgamation of three bands – the Jesus and Mary Chain, My Bloody Valentine and the House of Love,” said Ride’s Andy Bell in 2012. The arrival of the literally-named double album 4 EPs – collecting their first four EPs in one place – brings a chance to ponder this. Read more... |
Barbara Dickson, Cecil Sharp House review - intimate and beautifully pacedFriday, 11 November 2022
Cecil Sharp House, citadel of folk music, finally resounded last night to the mellifluous tones of Barbara Dickson whose distinguished career began at the Howff Folk Club, Dunfermline, in the heady days of the 1960s folk revival. Read more... |
PJ Harvey - Orlam: In Conversation with Max Porter, The Old Market, HoveFriday, 11 November 2022
In an intimate evening with Polly Jean Harvey MBE, the double Mercury Prize winning artist sang an altogether different kind of tune than you might expect. Reading from her new book of poetry, Orlam, a coming of age story about a not-girl-not-boy, set within the changing seasons of a mythical Dorset landscape, the songs we heard were odd little twists of nursery rhymes, whisper-sung in a strong West Country accent. Read more... |
theartsdesk on Vinyl 73: Sandy Denny, Plastic Mermaids, Orbital, Speedy Wunderground, The Snuts, The Kinks and moreWednesday, 09 November 2022
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in! VINYL OF THE MONTH Edrix Puzzle Coming of the Moon Dogs (On the Corner) Read more... |
Sugababes, O2 Academy, Glasgow review - pop perfection hampered by sluggish soundWednesday, 09 November 2022
Any younger Sugababes fans might have felt a little neglected here. “Who’s a 90s child?” yelled out enthusiastic DJ Shosh as she warmed up the crowd, followed soon after by a cry of “Who’s an 80s child?”, which received an even louder roar in response. Read more... |
Oslo World review - a dizzying selection of high-tech, grassroots global brillianceWednesday, 09 November 2022
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity. Read more... |
Ride, Here at Outernet review - flawless recreation of 1992's 'Going Blank Again' albumTuesday, 08 November 2022
It seems an ambivalent statement, perhaps estranging Ride’s Mark Gardener from what’s happening on stage. “I always loved this track off Going Blank Again, it’s called ‘Chrome Waves’.” He could be a DJ or a fan talking about what’s about to be played, rather than a member of the band itself – a member poised to launch into a live recreation of the fourth track from their 1992 second album. Read more... |
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