New Music Reviews
Coldplay, Hampden Park, Glasgow review - a pop spectacle for all agesThursday, 25 August 2022
It is a testament to Coldplay’s capacity for reinvention that a good portion of this stadium crowd were not even born when the band first broke through over two decades ago. Such an age range in the audience clearly caught the eye of Chris Martin, who, in a rare moment of standing still, dryly noted that he owns trousers older than some of the people singing along. Read more... |
Camp Bestival Shropshire, Weston Park review - a musical mixed bag for the pre-teens and their parentsWednesday, 24 August 2022
When I first started going to music festivals in the late 80s and early 90s, they were all wild celebrations of bacchanalian excess. Children were nowhere to be seen and there was always a crustie on hand, openly plying a wide array of brain spanglers, if that was what you wanted. Read more... |
Album: Ezra Furman - All of Us FlamesMonday, 22 August 2022
The third track of All Of Us Flames is titled “Dressed in Black.” Its protagonist “come[s] to me by night beneath my window sill…you leave before the sun comes up. Haunted eyes, you’ve got those haunted eyes.” Though tortured, this relationship doesn’t seemed to be doomed despite a mention of weapons. Read more... |
Music Reissues Weekly: Lou Reed - Words & Music, May 1965Sunday, 21 August 2022
Lou Reed went to the Baldwin, New York post office on 11 May 1965 to mail himself a five-inch reel-to-reel tape with 11 recording of songs he had written. The sealed package was registered and stamped, and also signed with that date by a local Notary Public, Harry Lichtiger – a partner at Baldwin’s Nassau Chemists. Read more... |
Mingus Dynasty, Ronnie Scott's review - official keepers of the flame at the temple of jazzThursday, 18 August 2022
Very good things have come to pass as a result the Mingus Centennial in April this year. A light has been shone not just on the jazz bassist and bandleader’s uniquely defiant spirit, but also on the astonishing extent of his emotional range and depth as a composer. Read more... |
Music Reissues Weekly: The Telstar Story, The Heinz Sessions Vol. 1Sunday, 14 August 2022
“Telstar” was released 60 years ago this week. On 17 August 1962, British record buyers could purchase the second single by The Tornados, a band whose claim to fame until then was being Billy Fury’s back band – their March 1962 debut 45 was fittingly titled “Love and Fury.” Read more... |
Music Reissues Weekly: The Movers - Vol. 1 1970-1976Sunday, 07 August 2022
After a burst of gun-shot drumming, “Hot Coffee” instantly hits its groove. Simple but insistent guitar, a rubbery bass line and electric organ all fall into line. For the instrumental’s two-and-half minutes, it is unstoppable. “Gig Soul Party” is as tight but more ornate as the organ playing incorporates flourishes. There’s a spindly solo guitar line and some funky-drummer drumming too. But it’s as effective. Dance floors would have been crowded. Read more... |
theartsdesk on Vinyl 72: Blondie, Joe Meek, Asha Puthli, Minions, Prince, Horse Meat Disco and moreFriday, 05 August 2022
This month’s reviews take in everything from New York new wave pop to apocalyptic electro to kitsch exotica. There are no genre boundaries at theartsdesk on Vinyl, just a constant desire to play music loud, whether new or reissues, then share what it felt like. Dive in! Read more... |
Album: Raf Vilar - ClichêFriday, 05 August 2022
Although Raf Vilar grew up in Rio De Janeiro he has been based in London for over a decade, where his second album Clichê was recorded. It appears on a label operating from Malmö, Sweden. In keeping with this internationalism, what’s emerged isn’t wholly identifiable as a Brazilian album. His 2011 first was unequivocally titled Studies In Bossa. Now, the designation is more inscrutable. Read more... |
WOMAD Festival, Charlton Park review - global music festival’s 40th birthday party goes off with a bangThursday, 04 August 2022
Without doubt, the WOMAD Festival is a major international music institution and an annual landmark in the UK summer festival season. It has also been the major catalyst in the popularisation of non-western music in the UK and further afield from the 1980s onwards. Read more... |
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