New Music Reviews
The Great Escape 2022, Brighton review - sunshine, queues, and thrilling new bandsMonday, 16 May 2022
My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he attended, and he consequently reckons The Great Escape is rubbish. “I’ve been going for years and that’s never happened to me,” I said to him. “Yeah, well, you’re press, aren’t you,” he responded, with only a smidgeon of bitterness. Read more... |
Music Reissues Weekly: 999 - A Punk Rock AnthologySunday, 15 May 2022
“Ramonic buzzsaw impressionism guitars lovingly poured like a truckload of Quaker Oats over the indecipherable lyrical content that sounds like a rancid moggie that has snorted too much Pro-Plus.” So that was a possible thumbs-up from NME’s Tony Parsons in his review of 999’s August 1977 debut single “I’m Alive.” Read more... |
Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternativesSaturday, 14 May 2022
Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “Summer Fling”, they transfer it to the flies of their trousers, let it hang there, all mischief. They explain that this is the result of the band becoming obsessed with “a mad coven of witches in Italy”. Read more... |
theartsdesk in Estonia: Tallinn-Narva Music Week review - solidarity through music on the Russian borderWednesday, 11 May 2022
The gentleman in the centre of the picture above is Ivan Dorn. In Ukraine, he’s a pop star. A big pop star. His music, as he puts it on stage during the show opening Tallinn-Narva Music Week, is “pure Ukrainian house music.” Yep, there’s the bing-bong piano lines and cowbell beats of the pop end of house. Read more... |
alt-J, Barrowland, Glasgow review - unlikely anthems from the shadowsMonday, 09 May 2022
Prior to alt-j’s encore getting underway their video wall switched to the Ukrainian flag. “Fuck Putin!” bellowed keyboardist Gus Unger-Hamilton, to hearty roars of approval, in what was both a brief reminder of the outside world beyond the increasingly humid Barrowland and also a look at the band themselves and their own emotions, which otherwise remained distant during this show. Read more... |
Music Reissues Weekly: Kokomo - To Be CoolSunday, 08 May 2022
Over January, February and early March 1975, British music fans could buy tickets for what was titled The Naughty Rhythms Tour. Three bands were billed, with the running order changing each evening. The tour was the idea of Andrew Jakeman, who worked for one of the bands, and Chris Fenwick, the manager of another: on their own, each band couldn’t fill larger venues. Together, more tickets would be sold and fans would be picked up. Read more... |
Spiritualized, Symphony Hall, Birmingham review - a curate's egg of a show from Jason Pierce's space rockersWednesday, 04 May 2022
Most artists tend to view the live arena as an opportunity to commune with fans old and new, with audience reaction being an integral part of the whole experience. Not so much Jason Pierce’s Spiritualized. Read more... |
Music Reissues Weekly: Dusty Springfield - Dusty Sings SoulSunday, 01 May 2022
First on were The Supremes with “Baby Love.” Next, The Miracles performed “You Really Got a Hold on me.” After this, Stevie Wonder’s “I Call it Pretty Music But the Old People Call it the Blues,” The Temptations’ “The Way You do the Things You do” and Martha & The Vandellas’ “Heatwave.” Read more... |
The Divine Comedy, Usher Hall, Edinburgh review - a pleasing pop trip through the yearsFriday, 29 April 2022
Careful consideration is needed when leaving your seat at a Divine Comedy gig. “He’s off for a drink,” observed Neil Hannon of the audience member ambling away during a rendition of “Gin Soaked Boy”, before adding, accurately, “this song’s excellent.” Indeed it was, and a fitting closer to the first half of this leisurely, career-spanning set dedicated, mostly, to the hits. Read more... |
The Vaccines, Barrowland, Glasgow review - pacy but predictable rock'n'rollTuesday, 26 April 2022
You could never accuse the Vaccines of being the most subtle of bands. When the London quintet ran through the intro to “Surfing in the Sky”, their frontman Justin Young started to shoogle around onstage as if, yes, he was riding a surfboard, in case the song’s title and Ventures-cum-Beach Boys opening hadn’t made the inspiration clear enough. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
The law's sick voyeurism - director Cédric Kahn on...
The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...
Zoë Coombs Marr, Soho Theatre review - stock checks and spre...
You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoe Coombs Marr, which she...
The Lightest Element, Hampstead Theatre review - engrossing,...
British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s ...
Resurgence, London City Ballet, Sadler’s Wells review - the...
You need to be fairly long in the tooth to feel nostalgia for the heyday of London City Ballet. The group was set up in 1978 by the late Harold...
Album: Jamie xx - In Waves
There’s been a lot of early 90s rave aesthetics in popular culture lately, but an awful lot of it has been at the level of signifiers. Fila,...
Here comes the flood: Bob Dylan's 1974 Live Recordings
Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...
Album: The Waeve - City Lights
Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...
Donohoe, Roscoe, Stoller Hall, Manchester review - two great...
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...
Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...
My Favourite Cake review - woman, love, and freedom
The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...