New Music Reviews
10cc, London Palladium review - still firing rubber bullets 50 years onMonday, 04 April 2022
What a remarkable band 10cc were. For most of the 1970s they made highly unusual pop that careered without a care between bubblegum and prog. Their ease migrating across style lines from Pythonesque japes to dense seriosity lay in the personnel: four bandleaders who all brought a sensibility to a democratic collective. Read more... |
Killing Joke, O2 Institute, Birmingham review – post-punk titans blow the roof offMonday, 04 April 2022
It’s said that even a stopped clock tells the right time twice a day. While Killing Joke are by no means a stopped clock, it feels that the time is again ripe for their politics-heavy brand of muscular post-punk. Read more... |
Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982Sunday, 03 April 2022
It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and Tanya Hyde & the Tormentors. Read more... |
Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020Tuesday, 29 March 2022
There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed. Read more... |
Music Reissues Weekly: All Turned On! Motown Instrumentals 1960-1972Sunday, 27 March 2022
Motown and its related labels have been heavily collected and meticulously scrutinised since the early Sixties. There ought to be nothing left to say. Yet here this is, a smart, 24-track collection of Motown instros which includes five previously unreleased tracks. Read more... |
The Weather Station, Scala review - communion achieved against the oddsThursday, 24 March 2022
Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a context which enables reaching out – it may be heard. Read more... |
Dream Wife, St Lukes and the Winged Ox, Glasgow review - an exhilarating reminder of live music's powerThursday, 24 March 2022
Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait. Read more... |
Album: Maridalen - BortenforThursday, 24 March 2022
At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water. Read more... |
Wardruna, Symphony Hall, Birmingham review - Norwegian neo-pagans stage a triumphant return to the live arenaWednesday, 23 March 2022
It’s been 14 months since the release of Wardruna’s most recent album – Kvitravn. However, repeated waves of Covid have since prevented them from going a-viking and bringing their new show to live audiences around the UK. Read more... |
The Coral, Barrowland, Glasgow review - pop experimentalists prove overly smoothMonday, 21 March 2022
Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over two decades later. Read more... |
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