fri 10/01/2025

New Music Reviews

Barbara Dickson, Cecil Sharp House review - intimate and beautifully paced

Liz Thomson

Cecil Sharp House, citadel of folk music, finally resounded last night to the mellifluous tones of Barbara Dickson whose distinguished career began at the Howff Folk Club, Dunfermline, in the heady days of the 1960s folk revival.

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PJ Harvey - Orlam: In Conversation with Max Porter, The Old Market, Hove

Katie Colombus

In an intimate evening with Polly Jean Harvey MBE, the double Mercury Prize winning artist sang an altogether different kind of tune than you might expect.

Reading from her new book of poetry, Orlam, a coming of age story about a not-girl-not-boy, set within the changing seasons of a mythical Dorset landscape, the songs we heard were odd little twists of nursery rhymes, whisper-sung in a strong West Country accent.

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theartsdesk on Vinyl 73: Sandy Denny, Plastic Mermaids, Orbital, Speedy Wunderground, The Snuts, The Kinks and more

Thomas H Green

After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!

VINYL OF THE MONTH

Edrix Puzzle Coming of the Moon Dogs (On the Corner)

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Sugababes, O2 Academy, Glasgow review - pop perfection hampered by sluggish sound

Jonathan Geddes

Any younger Sugababes fans might have felt a little neglected here. “Who’s a 90s child?” yelled out enthusiastic DJ Shosh as she warmed up the crowd, followed soon after by a cry of “Who’s an 80s child?”, which received an even louder roar in response.

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Oslo World review - a dizzying selection of high-tech, grassroots global brilliance

joe Muggs

The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s Youssou N’Dour, Malie's Fatoumata Diawara, the queen of Cuba Omara Portuondo – but the emphasis was emphatically not on any kind of beads-and-bongoes authenticity.

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Ride, Here at Outernet review - flawless recreation of 1992's 'Going Blank Again' album

Kieron Tyler

It seems an ambivalent statement, perhaps estranging Ride’s Mark Gardener from what’s happening on stage. “I always loved this track off Going Blank Again, it’s called ‘Chrome Waves’.” He could be a DJ or a fan talking about what’s about to be played, rather than a member of the band itself – a member poised to launch into a live recreation of the fourth track from their 1992 second album.

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Other Voices Cardigan review - a celebration of music on the cusp

Miranda Heggie

Other Voices is, according to its founder Philip King, a festival which celebrates what’s about to happen. Indeed, artists like Hozier, Fontaines DC and Amy Winehouse cut their teeth at this unique musical event which, although it has its home in the west of Ireland, has iterations across the world. 

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Music Reissues Weekly: The Beatles - Revolver

Kieron Tyler

John Lennon does not appear on “Love You Too” and “For No One”. With “Taxman”, “Eleanor Rigby”, “Here, There and Everywhere”, “Good Day Sunshine” and “I Want to Tell You”, his contributions are limited to backing vocals and, on odd occasions, some percussion too. He appears semi-detached from seven of Revolver’s 14 tracks.

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Dongyang Gozupa, Purcell Room review - K-Music’s power trio

Tim Cumming

A minute before coming on stage, the audience is asked to observe a minute’s silence for the victims of the Halloween tragedy in the central Itaewon district of the South Korean capital of Seoul.

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Abel Selaocoe, Bouffes du Nord, Paris review - awakening the ancestors

mark Kidel

A tall African man stands alone in a pool of light. He has a cello and an immensely versatile voice. In a matter seconds, he holds the audience enchanted. He inhabits the stage as if it were by a campfire in the bush.

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