New Music Reviews
Album: The Burning Hell - Ghost PalaceWednesday, 05 March 2025
Cultural references run up the flagpole on Ghost Palace include Deep Purple’s “Space Truckin’” buskers covering Lynryd Skynyrd and Ed Sheeran, Mad Max: Beyond Thunderdome and The Ramones’ Leave Home album. Read more... |
Chuck Prophet, Mid Sussex Music Hall, Hassocks review - the good AmericanTuesday, 04 March 2025
Forty years ago, Chuck Prophet was the Keith Richards-like guitar hotshot in Green On Red, peers of R.E.M. and among the raw country-punk architects of what became Americana. Now he’s 61 and playing in a sold-out pub back-room in Hassocks, a downland commuter village near Brighton, still giving his all during two hours of humour and humane passion as if this is the biggest stage, and this crowd a community clearly worth serving. Read more... |
Music Reissues Weekly: Kraftwerk - Autobahn at 50Sunday, 02 March 2025
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode attractive in the US.” That, in full, in its 1 March 1975 issue, was US music business paper Billboard’s review of the single of Kraftwerk’s “Autobahn.” Read more... |
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton review - exhilarating showcase for new young guitar bandsFriday, 28 February 2025
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in five years’ time or working in chip shops? It’s all to play for. But it’s right now that counts. Of course, it only feels that way if they’re any good. When they are, it peps the spirit. Read more... |
Album: bdrmm - MicrotonicWednesday, 26 February 2025
Microtonic comes into focus on its third track, “Infinity Peaking.” Album opener “Goit,” featuring a guest vocal by Working Men’s Club’s Syd Minsky-Sargeant, is doomy post-Balearic impressionism with spoken lyrics seemingly about the loss of self. Next, the distant-sounding rave-shoegazing hybrid “John on the Ceiling.” “Infinity Peaking” is the point of coalescence; where beats-bedded, drifting electronica is suited to the comedown experience. Read more... |
Rats on Rafts, The Victoria review - crepuscular Dutch quintet begins to see the lightTuesday, 25 February 2025
An album is one thing, a live show is another. A truism of course, but one which is inescapable during this London date by the Rotterdam-based Rats on Rafts at a shabby chic pub in Dalston, East London. Read more... |
Bilk, O2 Academy 2, Birmingham review - Essex rock'n'rollers blast into the weekendMonday, 24 February 2025
Sol Abrahams, singer and guitarist for Essex rock’n’rollers Bilk, was suffering from a bit of guitar trouble in Birmingham on Friday evening. By the time the band was ready to power through “On It”, from new album Essex, Drugs and Rock and Roll, he was already on his third or fourth instrument, the last one having literally fallen apart in his hands. Read more... |
Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish garage rockers surviving and thrivingSunday, 23 February 2025
Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can't blame them for lacking faith. Read more... |
Music Reissues Weekly: Diggin' For Gold Volume 14 - Norway's Sixties beat-group sceneSunday, 23 February 2025
In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the Swinging Ballades, Sverre Faaberg and the Young Ones, The Jokers, Rune Larsen and Teen Beats, The Quartermasters, Helge Nilsen and the Stringers and Tornado bore a bold stamp recognising each band’s origin in the country’s second city. Read more... |
Josienne Clarke, Across the Evening Sky, Kings Place review - celebrating Sandy DennyTuesday, 18 February 2025
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the liminal, predatory dangers of associating in any way with the sly “Reynardine”, with Matt Robinson on piano and electronic keyboards and Alec Bowman-Clarke’s bass evoking the twilit murk of the magical faerie song, recorded by Sandy on Fairport’s Liege & Lief. Read more... |
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