New Music Reviews
theartsdesk on Vinyl 63: KMFDM, Laurie Anderson, Seratones, The Telescopes, Black Sabbath, Conrad Schnitzler and moreThursday, 01 April 2021
Rumours keep swirling of pressing plants stumped by the effects of COVID-19 lockdown, and it’s true that vinyl editions of many albums have been delayed, yet still those records keep arriving. At theartsdesk on Vinyl, no-one cares if an album was streaming or out in virtual form months ago. Read more... |
Album: Ryley Walker - Course In FableWednesday, 31 March 2021
Although Course In Fable is, as Ryley Walker albums go, pretty straightforward some sharp left turns indicate that the formerly Chicago-based, now New York-dwelling guitar whizz isn’t content with limiting a single musical line of attack to one song. Read more... |
Reissue CDs Weekly: Jon Savage's 1972-1976 - All Our Times Have ComeSunday, 28 March 2021
Close to the back of Jon Savage’s 1991 book England’s Dreaming, there’s a section titled “Discography.” In this, he goes through the records which fed into and were spawned by punk rock and the Sex Pistols, the book’s subject. Read more... |
Album: Bheki Mseleku - Beyond The StarsWednesday, 24 March 2021
Praise gets heaped on the already well known. And that often leaves others in the shadows. I’m not saying that Abdullah Ibrahim doesn’t deserve the accolades – notably, “our Mozart” from Nelson Mandela – but there have been other genius level South African pianists: one was Moses Molelekwa who died at just 27. The other is the very great Bheki Mseleku (1955-2008). Read more... |
Reissue CDs Weekly: Linda Smith - Till Another Time 1988-1996Sunday, 21 March 2021
“I See Your Face” opens with a short burst of Phil Spector-ish tambourine rattling. The sort of thing also employed by the early Jesus & Mary Chain. Then, a cascading folk-rock guitar paves the way for a disembodied voice singing over a spooky one-finger keyboard line and chugging, reverbed guitar. Occasionally, what sounds like a syn drum goes “pff.” Read more... |
Album: Frida Hyvönen - Dream Of IndependenceSaturday, 20 March 2021
Track two on Dream Of Independence, the new album from Sweden’s Frida Hyvönen, is titled “A Funeral in Banbridge”. An account of attending a funeral in, indeed, Banbridge, County Down, Northern Ireland, it’s bright, melodically jaunty, piano-driven and moves along at a fair clip. Read more... |
Reissue CDs Weekly: Be-Bop Deluxe - Drastic PlasticSunday, 14 March 2021
Bill Nelson knew February 1978’s Drastic Plastic was the last Be-Bop Deluxe album. In his essay for the book coming with the new “deluxe expanded” box-set reissue, he writes “that, as far as I was concerned, was that, the final Be-Bop Deluxe studio album, an era ended and a new one was about to begin. As the songs developed, I felt that the album might provide a kind of bridge to what might happen further along the road. Read more... |
Reissue CDs Weekly: Sly & The Viscaynes - Yellow Moon The Complete Recordings 1961-1962Sunday, 07 March 2021
The Viscaynes ought to have been a footnote. A minor footnote. From Vallejo in north California, they were one amongst many early Sixties vocal groups giving it a shot. Some were lucky and had hits. The Earls, The Impalas and Randy & The Rainbows did. Like The Marcels, who charted with “Blue Moon”, they were all rooted in the doo wop sound. Despite their three singles – including the Marcels referencing “Yellow Moon” – The Viscaynes did not break through to national success. Read more... |
Billie Eilish: The World's a Little Blurry, Apple TV+ review - sprawling account of the singer's rise to superstardomSunday, 28 February 2021
The Billie Eilish story is a paradigm of pop music and marketing, 2020s-style. Eilish’s instinctive talent became evident when she was barely into her teens, and she flourished with the support of a close-knit and musical family. Read more... |
Reissue CDs Weekly: The Misunderstood - Children Of The Sun The Complete Recordings (1965-1966)Sunday, 28 February 2021
On 31 December 1966, the Daily Mail's Virginia Ironside got to grips with a new trend in pop music. Under the heading “The bleeps take over”, Jimmy Hendrix (sic) The Move and The Pink Floyd were gathered together as purveyors of something The Who had started with “feedback, violence, ripping strings from their guitars.” “New groups,” it was said “are taking it farther and farther out. Read more... |
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