New Music Reviews
Music Reissues Weekly: The Beau Brummels - Turn Around The Complete Recordings (1964-1970)Sunday, 19 December 2021
“I do like this record. Despite their tremendously loser name, this group from America is pretty good. They have a sound of their own added to by Byrd-like guitar playing and Everly Brothers voices. In a funny way, it’s rather sexy.” Read more... |
The Men They Couldn't Hang, Powerhaus Camden review - raucous farewell to the fallenTuesday, 14 December 2021
To clarify: this is less a review, more a dispatch from a raucous wake. We all have a band that means something extra. Mine is The Men They Couldn't Hang, who I saw on Saturday night at the Powerhaus in Camden for the umpteenth time. Read more... |
theartsdesk on Vinyl 68: Patrik Fitzgerald, Oasis, Kathryn Williams, R.E.M., Bess Atwell and a seasonal load moreTuesday, 14 December 2021
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed releases, reissues and heritage fare that might make great presents. As ever, all musical life newly pressed to plastic is here. Dive in. Read more... |
Music Reissues Weekly: The Dave Clark Five - Glad All Over, The Pretty Things - Live At The BBCSunday, 12 December 2021
At the beginning of November 1964, a form of changing of the guard was evident in the UK’s singles chart. Read more... |
Yungblud, Barrowland, Glasgow review - pop chameleon gives the kids something to shout aboutFriday, 10 December 2021
According to local press, Yungblud’s fans had been queuing up outside the Barrowland throughout the day before each gig in his two-night Glasgow stint. If that was one indication of the reverence his following hold him in, another came early in this performance, when he briefly delayed “I Love You, Will You Marry Me” to allow an actual proposal to go ahead down at the front. If your songs are considered suitable for popping the question to, then you know you are connecting with people. Read more... |
Album: Hiss Golden Messenger - O Come All Ye FaithfulThursday, 09 December 2021
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. Read more... |
Madness and Squeeze, Brighton Centre review - enjoyable annual December nostalgia rompWednesday, 08 December 2021
Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of teenagers are also in evidence on their own. They shout out. Read more... |
Music Reissues Weekly: Once Upon A Time In The West Midlands - The Bostin’ Sounds of Brumrock 1966-1974Sunday, 05 December 2021
The picture seen above doesn’t have quite the same resonance as Art Kane’s 1958 shot A Great Day in Harlem which brought 57 American jazz musicians in front of his lens, but it is nonetheless significant. Here, in 1971, is an evocative, unique record of a moment in West Midlands music history. Read more... |
Hedvig Mollestad, National Jazz Scene, Oslo review - watch out, there’s a storm aboutThursday, 02 December 2021
The opening moments don’t suggest what’s coming. A solo flute is followed by a few spoken phrases from a treated voice. What’s being said? It’s impossible to work it out. Is it a warning? An electric guitar’s strings are stroked with a cello bow. Then, other instruments enter the picture – shimmering electric piano, a trio of saxes, pitter-pat, raindrop percussion, throbbing bass guitar. Read more... |
Paul Weller, Barrowland, Glasgow review - Modfather holding back father time with old and new tricksWednesday, 01 December 2021
There was a brief lapse in this lengthy set when Paul Weller stood up from the piano, walked towards centre stage and then pivoted back the way he came, having realised he was moving a song too early. “That’s the trouble with getting old, you forget shit” observed the 63-year-old drily, but the two hour set itself was a testament to Weller’s continued creativity, if also his stubbornness too. Read more... |
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