Theatre Reviews
Groundhog Day, Old VicWednesday, 17 August 2016
The New York theatre is so consistently awash in "star is born" moments when one or another British actor crosses the Atlantic to copious praise that it's lovely for a change to be able to reverse the kudos. And as Phil Connors, the jaded weatherman for whom February 2 threatens to become a personal Waterloo, Broadway veteran Andy Karl in his London stage debut sends the stage musical adaptation of Groundhog Day soaring. Read more... |
Allegro, Southwark PlayhouseTuesday, 16 August 2016
Southwark's golden triangle – the Menier, the Playhouse and the Union – has given us so many "lost" musicals which only a decade or so ago would have been lucky to get in-concert airings. Read more... |
Edinburgh Fringe 2016: Alix in Wundergarten/4D Cinema/Bucket ListSaturday, 13 August 2016
Alix in Wundergarten ★★★★Think Alan Ayckbourn on acid: a commonplace (well, almost) set-up, exaggerated further and further beyond what we’d ever anticipate. Read more... |
Our Ladies of Perpetual Succour, National TheatreThursday, 11 August 2016
If you like the feeling of leaving a show, surrounded by the gently glowing faces of happy fellow audience members, then this is one for you. It’s a musical evening full of joyful singing – mixing classics by Mendelssohn and Bartok with a best-of chunk of the back catalogue from the Electric Light Orchestra’s Jeff Lynne – that transports you to a different world. Read more... |
Yerma, Young VicSaturday, 06 August 2016
Billie Piper vaults to the top rank of British theatre actresses with Yerma, Australian writer-director Simon Stone's rabidly free rewrite of Lorca's 1934 play that posits its young star as the sort of take-no-prisoners talent whose gifts come not from drama school but from something gloriously unfettered and astonishingly free. Read more... |
Young Chekhov, National TheatreThursday, 04 August 2016
"Yes, from life," Nikolai Ivanov (Geoffrey Streatfeild) says in passing of a painting midway through the early Chekhov play that bears his name. But the phrase could serve as the abiding achievement of the largely thrilling triptych of plays that has transferred from Chichester to the National under the banner title Young Chekhov. Read more... |
Breakfast at Tiffany’s, Theatre Royal HaymarketFriday, 29 July 2016
Think of Holly Golightly, and it’s more than likely that the face you’re picturing is Audrey Hepburn’s. And, while this adaptation by Richard Greenberg of Breakfast at Tiffany's is much closer to Truman Capote’s novella, it doesn’t have an ounce of the appeal of Blake Edwards’ famous film. Read more... |
Rotterdam, Trafalgar StudiosFriday, 29 July 2016
How many genders are there? The simplistic answer is two, but if you really think that then it’s time to go to the back of the class. In recent years, the rapid growth in perception of the fluidity of gender identity has meant that although there has been an increase in transgender stories in the news, culture has lagged a bit behind. Now every art form wants its own Danish Girl. Read more... |
The Plough and the Stars, National TheatreThursday, 28 July 2016
Anniversaries are lotteries. Sometimes they allow us to see the past with fresh eyes; at other times, they simply accentuate the growing distance between then and now. Because this year marks the centenary of the Easter Rising of 1916, the National has decided to revive Sean O’Casey’s The Plough and the Stars, whose last two acts are set during the ill-fated uprising against British colonial rule. Read more... |
Half A Sixpence, Chichester Festival TheatreWednesday, 27 July 2016
Watching Cameron Mackintosh’s joyful revision of this Sixties musical, it’s possible to believe for a moment that all the world needs now is love sweet love and a shit-ton of banjos. With a new book by Downton Abbey behemoth Julian Fellowes, new numbers by the pair behind hit musical Mary Poppins, and design that delights at every turn of the multi-revolve, Half A Sixpence seems destined to follow a flush of previous Chichester Festival musicals into the West End... Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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