mon 29/09/2025

tv

Humans, Channel 4

Adam Sweeting

New sci-fi series aren't exactly a dime a dozen on British TV, awash as it usually is with serial killers, cops and costume dramas, so the fact that Humans not only exists but is also bold and fresh-looking triggers instant brownie points. It doubtless helps that it's a collaboration between Channel 4 and America's AMC, home of Mad Men and The Walking Dead.

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The Trainer and the Racehorse: The Legend of Frankel, Channel 4

Marina Vaizey

This was the story of a remarkable man, Henry Cecil, a genius with horses and 10 times Champion Trainer. He was felled by tabloid scandal but rose again to train one of the greatest racehorses in history, Frankel.

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TFI Friday, Channel 4

Barney Harsent

When TFI Friday first assaulted our screens (nearly) 20 years ago, things were very different. An untucked checked shirt passed for sartorial elegance, magazines sold in big numbers and, within their pages, women were routinely objectified, but ironically and in front of a paper-thin façade of equality.

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Stonemouth, BBC Two

Matthew Wright

A young man, in trouble with drunk or drugs, returns to his Scottish family riven by dark secrets? Of course, it’s a new Iain Banks dramatisation, the first since the author’s death two years ago. This version of his 2012 novel Stonemouth attempts to recreate the success the BBC enjoyed with its 1996 adaptation of Banks’s Crow Road.

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Napoleon, BBC Two

Marina Vaizey

It is irresistible to watch Andrew Roberts, the ambitious historian of one of history's most ambitious figures, narrating a three-part account of his hero’s life and times. He is giving us a superb analysis of Napoleon Bonaparte’s gifts, flaws, insecurities and achievements. 

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The Interceptor, BBC One

Jasper Rees

The Interceptor began as it didn’t mean to go on. A young boy of mixed race walked home through an estate and saw two men in a violent altercation. One, who was white, shot the other, who was black, presumably dead. “Dad!” called the boy. The murderer pointed the gun, realised he was aiming at his son, and scarpered.

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The Met: Policing London, BBC One

Adam Sweeting

This is supposed to be a major five-part documentary series probing into the innards of the Metropolitan Police, but it felt suspiciously like W1A in uniform. Was it the muted but insistently ominous background music, always trying to tell us that something really significant was happening when we were just watching yet another slab of b-roll footage? Or the dry, earnest voice-over, intoning that "this is a force under pressure"?

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The Truth About Your Teeth, BBC One

Jasper Rees

Teeth. Who’d have them? This documentary about the state of the nation’s gnashers came along at a timely moment for your reviewer. Earlier in the week I suffered my first ever extraction. Didn’t feel a jot of pain, of course, but by Christ you know all about it when the dentist is fiddling about inside your mouth, attempting with a variety of utensils to pluck out the culprit.

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Strike Back: Legacy, Sky1

Adam Sweeting

The fifth, and supposedly final, series depicting the adventures of the covert-action tough guys of Section 20 won't surprise anyone, but it won't disappoint its devotees either. Fast, brutal and violent, Strike Back is a slick mix of movie-like production values and infinitesimal demands on the viewer's intellect, a winning commercial formula if ever there was one.

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The Syndicate, BBC One

Barney Harsent

A third series for Kay Mellor’s rags-to-riches series can herald few real surprises. We know, roughly speaking, what we’ll be getting: a cautionary tale – be careful what you wish for – populated by warm, well-drawn and big-hearted characters who are believably flawed and hiding secrets of the sort that fill the time and mouths of garden fence gossips across the country.

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