tv
The Secret World of Lewis Carroll, BBC TwoSunday, 01 February 2015
Alice is always with us; the most quoted work of literature, after the Bible and Shakespeare. In fact, Desert Island Discs should probably add Alice to the mandatory Bible and Shakespeare as an automatic inclusion for the survival kit. Read more... |
Kraftwerk: Pop Art, BBC FourSaturday, 31 January 2015
Some documentaries can feel like trying to view a desert landscape through a telescope. The need for tight focus on too large a subject can leave you constantly aware that there’s important stuff going on out of eyeshot. The stuff you can’t see becomes a constant irritant, like a pending tax return, or David Starkey. Kraftwerk: Pop Art, in significantly narrowing its focus, was more like studying a Petri dish under a microscope – and just as fascinating. Read more... |
Fortitude, Sky AtlanticFriday, 30 January 2015
If you can't beat 'em, steal brazenly from 'em. Instead of importing another Scandinavian drama series and slapping on some subtitles, or recycling Fargo or Breaking Bad (or for that matter Deadwood or Twin Peaks), Sky Atlantic has pushed the boat out and created its own slab of sub-zero Nordic mystery, packed with bankable international names. If this extended pilot episode was a reliable guide, it's going to be a tortuous ride on black ice. Read more... |
Timeshift: Battle for the Himalayas, BBC FourFriday, 30 January 2015
When people talk about the Heroic Age of exploration, the heroes are generally agreed to be the explorers. But we’d know a great deal less about Edwardian chaps pluckily struggling through far-flung snowscapes if there weren’t images of them in situ. And the men who caught those images can be counted heroes too. Herbert Ponting pioneered cold-weather photographic techniques in Antarctica with Scott. Read more... |
Touched by Auschwitz, BBC TwoWednesday, 28 January 2015
There’s been a pronounced sense of finality at this year’s 70th anniversary commemoration of the 1945 liberation of Auschwitz. No closure, of course, but an awareness that the ranks of survivors are diminishing, and that soon their first-person testimonials will disappear into a past. Read more... |
Mr Selfridge, Series 3, ITVMonday, 26 January 2015
Mercifully not preceded by a Broadchurch-style hype-tsunami, the new series of Mr Selfridge has slipped neatly back into the Sunday 9pm slot as if it's the rightful owner just back from a year of travelling round the world. It's not revolutionary, ground-breaking or "subversive", but equipped with some new characters and promising plotlines, this opening episode ushered us into the post-World War One era with a spring in its step and the wind in its hair. Read more... |
Surviving the Holocaust - Freddie Knoller's War, BBC TwoFriday, 23 January 2015
First-hand testimonial is surely the building block of history. Whether it’s in the form of written diaries or the television memory, it allows us to go back to the very basics as we, the reader-viewer, effectively re-experience the life of the teller. Read more... |
Cucumber, Channel 4Thursday, 22 January 2015
It doesn’t take many cucumbers smacked into cupped male palms to realise this isn’t, surprisingly, a show about salad. Russell T Davies has written three new series (Banana shows on E4, and Tofu online), exploring LGBT sexuality today. Queer As Folk, Davies’s 1999 breakthrough creation depicting the lives of three gay men living around Canal Street in Manchester, was an important landmark in dramatic depictions of gay life. Read more... |
The Eichmann Show, BBC TwoTuesday, 20 January 2015
Part of a series of programmes marking the 70th anniversary of the liberation of Auschwitz, The Eichmann Show was a 90-minute account of how the 1961 trial of Adolf Eichmann, one of the SS's most enthusiastic engineers of the Holocaust, became "the world's first ever global documentary series". The key men in making this happen were TV producer Milton Fruchtman and renowned documentary director Leo Hurwitz, the latter a victim of McCarthy-era blacklisting in the USA. Read more... |
Catastrophe, Channel 4Monday, 19 January 2015
There’s a tricky balancing act involved when writing a sitcom. Too much "sit" and you’re in danger of losing the laughs, too much "com" and it becomes increasingly difficult to find the space to land a serious dramatic punch. Get one of these things wrong and, like a fat man facing a baby on a see-saw, it looks all wrong and is no fun for anyone. Read more... |
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