sat 28/06/2025

tv

Only Connect, BBC Four

Veronica Lee

EM Forster fans will straight away get the reference in the quiz show's title to Howards End. Those of a less literary bent will make another mental link – Connect Four, a game for six-year-olds and up invented in 1974 and still going strong – which shares with its near-namesake the need for abstract reasoning. In fact when I first heard about Only Connect the latter was the connection I made, but it's typical of fans of the BBC show that they could make either.

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Ian Hislop's Olden Days: the Power of the Past in Britain, BBC Two

Matthew Wright

BBC channels One and Two currently present such different sides of Ian Hislop that his appearances should by now be required watching for trainee psychologists. As a founding team captain on Have I Got News For You, his knuckles have left a lasting impression on panellists including Jimmy Savile, Piers Morgan and Neil Hamilton; but switch over to one of his documentaries, which have graced all of the more thoughtful channels, and we find a wryly avuncular character.

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Under Offer: Estate Agents on the Job, BBC Two

Jasper Rees

Hang about with estate agents (for the only reason that anyone would) and you notice the men among them often stand with their hands clasped pliantly in front of them, with their shoulders bent slightly inwards. The pose semaphores trustworthiness, humility and the morals of a choirboy. Uriah Heep, ever so ‘umble, would have made a fine addition to the trade.

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The Battle for Britain's Breakfast, BBC Two

Adam Sweeting

As Gyles Brandreth pointed out, before the advent of breakfast television in 1983, Britain was a civilised country in which people ate breakfast while browsing through a newspaper. Then the BBC cheekily nipped in with its new Breakfast Time programme, a fortnight ahead of the much-hyped all-star TV-am project, and the nation has been going to hell in a handbasket ever since.

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Undeniable, ITV

Andy Plaice

Television shorthand for something terrible about to happen includes the car journey where the happy mum is singing at the top of her voice with an even happier kid safely strapped in at the back. No, not that they’re about to do "Wheels on the Bus", I mean something even worse, like mummy getting her head caved in with a rock while daughter plays yards away by the water’s edge.

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The Crimson Field, BBC One

Tom Birchenough

The BBC is going to reap a rich harvest from The Crimson Field. Sarah Phelps’s drama impresses for a whole number of reasons that will score with viewers: there's the closed community and class elements we know so well from the likes of Downton, as well as rather more room for fermentation of youthful hormones, male and female alike, among a shapely cast.

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The Trip to Italy, BBC Two

Jasper Rees

The Trip is a hall of mirrors put together with the help of Heath Robinson. It’s a comedy vehicle in which pretty much the only thing that’s real is the actual vehicle. The stars are two impersonators who above all impersonate themselves. Their quest as they drive between high-end restaurants is to submit a series of reviews to The Observer, which will of course never be written. This is a trip also in the pharmaceutical sense.

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Jockey School, Channel 4

Veronica Lee

Biança Barker's film was broadcast to coincide with the run-up to the Grand National this weekend, although one got no sense of where its subjects fitted into the horse racing world in general. In fact, one got no sense of where they fitted into anything other than a tickbox used by TV producers when looking for the next big idea.

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Kim Philby: His Most Intimate Betrayal, BBC Two

Tom Birchenough

History may be written by the winners, but its verdict is surely still out on Kim Philby. The presenter of Kim Philby: His Most Intimate Betrayal, Ben Macintyre, acknowledged that Philby is “the most famous double agent in history”, but though such acclaim will never guarantee any kind of moral endorsement, at least it keeps his seat of notoriety warm. The fascination remains, not least for television.

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New Worlds, Channel 4

Adam Sweeting

It's been six years since Peter Flannery's lurid Civil War series The Devil's Whore, which ended shortly after the death of Oliver Cromwell. This sequel, co-written by Flannery and Martine Brant, speeds us forward to 1680, which means Charles II is on the throne and, in between attending bawdy Restoration plays, is hell-bent on tracking down the people who executed his father.

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