sun 29/06/2025

tv

Storyville: Which Way Is the Frontline From Here?, BBC Four

Tom Birchenough

The title of Sebastian Junger’s documentary comes from a casual remark made as a group of journalists set off towards conflict in the outskirts of the Libyan town of Misrata: it may sound like a standard question from a battle-hardened war correspondent, but the film that follows shows that Tim Hetherington, whose off-camera voice it is, was anything but that. It was April 11 2011, and that journey would prove fatal for the British photographer and filmmaker.

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Endeavour, Series 2, ITV

Jasper Rees

The last time the whippersnapper Morse was on our screens he was getting (a) orphaned and (b) shot. This double dose of pain seemed a bit punitive, but then when sorrows come they come not single spies. The second series of Endeavour seems determined to stack up yet more agonies. So far Morse has been knocked out cold, sustained an unsightly gash on the bridge of his nose, and cowers every time he hears a loud bang.

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Mammon, More4

Veronica Lee

Well, that was a bit of a brain workout for the first episode - I confess for much of the opening instalment (five more to follow) I didn't have a clue what was going on, who anybody was or how all the characters and a multitude of story strands were connected. Actually, I'm not sure I did entirely understand by the end, but by then the Norwegian thriller set in the nebulous area where politics, finance and journalism collide had drawn me in sufficiently to tune in next week.

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Believe, Watch / Person of Interest, Series 2, Channel 5

Adam Sweeting

As pedigrees go, beat this - Believe [***] is the brainchild of Alfonso Cuarón, director of the Oscar-plundering Gravity, and JJ Abrams, mastermind of Lost, Fringe and the made-over Star Trek. This debut episode didn't live up to expectations, but it would be rash to write it off too soon.

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Rev, Series 3, BBC Two

Adam Sweeting

Perhaps the BBC didn't need to make W1A, its new self-satirising sitcom. In the clerical comedy Rev, the Church of England could be considered a very serviceable metaphor for the Corporation, with its unfathomable layers of bureaucracy, well-meaning but slightly pitiable niceness, a self-image that belongs to a forgotten century, and self-flagellation before other cultures. Though the BBC does have rather more money to spend.

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The Widower, ITV

Andy Plaice

It was something of a relief when the police were finally alerted to the sinister motives of Malcolm Webster in last night’s second episode of The Widower. ITV’s three-part dramatisation of the killer’s exploits (he was convicted in 2011 of murdering his first wife and trying to kill his second) raises interesting questions not only concerning how we tell stories about crimes from real-life, but whether we actually tell them at all.

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Louis Theroux's LA Stories: City of Dogs, BBC Two / Mr Selfridge, Series 2 Finale, ITV

Adam Sweeting

In the same week that ITV was rounding up Britain's dangerous dogs, the Beeb aired Louis Theroux's report [****] on the unwanted canines roaming the streets of gang-infested South Los Angeles. LA has six dog pounds (we learned), through which 35,000 ownerless dogs pass annually. A lot of them, even healthy ones, end up being euthanised because it's impossible to find homes for them all.

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A Very British Renaissance, BBC Two

Matthew Wright

The miscellany, a varied collection of works on different topics, was originally a Renaissance concept, an opportunity to bulk up a single volume with a diverse assortment of topics. The concept kept coming back to me, watching this peculiar programme, in places coherent and persuasive, in others curiously perverse, as if form and content had been devised by different people.

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Arena: Whatever Happened to Spitting Image? BBC Four

Tom Birchenough

“You can never embarrass politicians by giving them publicity.” Michael Heseltine’s verdict on Spitting Image – he claimed, of course, he never watched it – was surely one of the truer things said in last night's Arena memorial Whatever Happened to Spitting Image?, marking the 30th anniversary of the beginning of the satirical puppet show.

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Line of Duty, Series 2 Finale, BBC Two

Adam Sweeting

If nothing else, this second series of Jed Mercurio's brutalist police thriller has done wonders for Keeley Hawes. Not that she was in much need of a career pick-me-up, but the way her haunted portrayal of the much-abused DI Lindsay Denton has brooded over the story like a funeral shroud deserves to land her a few gongs and is doubtless already bringing in heaps of job offers. 

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