tv
The Apprentice, Series 8, BBC One/ You're Fired!, BBC TwoThursday, 22 March 2012
You may think that, eight series in, applicants for The Apprentice would rein it in a bit. Overblown egos, fantastical verbal imagery to describe their always unique talents, hyperbolic self-assessment - we had all of those, and so much more, in last night's hugely enjoyable series opener. Welcome to another bunch of hopelessly, and hilariously, deluded men and women in search of Lord Sugar's £250,000 investment. Read more... |
WikiLeaks: The Secret Life of a Superpower, BBC TwoThursday, 22 March 2012
If you’ve ever had that cold, clammy feeling following the realisation that an email, in which you have been less than flattering about a colleague, has accidentally landed in said colleague’s inbox, then you will have experienced roughly a millionth of the pain felt by assorted US government officials in the wake of the WikiLeaks scandal. Read more... |
Touch, Sky1Wednesday, 21 March 2012
The eminence grise behind Touch is Tim Kring, who also devised Heroes, and it shows. Heroes was about a network of people with paranormal or superhuman powers, and so is Touch. In this case, we find ourselves in a universe which is underpinned by numerical patterns and mathematical probabilities. Only a select handful of humans can discern this astounding cosmic architecture and join the astral dots, one of them being Jacob "Jake" Bohm. Read more... |
Arena: The Dreams of William Golding, BBC TwoSunday, 18 March 2012
If you’re one of those readers who likes to believe that a novelist’s work and the life he leads have little or nothing to do with one another, then I trust you were watching last night’s Arena: The Dreams of William Golding. Read more... |
How God Made the English, BBC TwoSunday, 18 March 2012
This programme wants to challenge certain stereotypes around English identity. It wants to challenge the notion that to be English is to be “tolerant, white and Anglo-Saxon”. But before it does any of that, it wants to address just one question, and that is this: just why are the English so damned full of themselves? That’s right. Just where does their sense of superiority and entitlement come from? Read more... |
Reverse Missionaries, BBC TwoSaturday, 17 March 2012
Despite an unfortunate title which seemed to have fallen from the pages of the latest Cosmo sex survey (“add some spice to the bedroom: try reverse missionary”), the first instalment of this three-part series about faith, community and religious history had honourable intentions. Read more... |
Love Life, ITV1Friday, 16 March 2012
Following ITV’s resounding victory in the battle of the masters ‘n’ servants period shows – Downton Abbey vs. Upstairs Downstairs, for the uninitiated – the Beeb are overdue for a retaliatory blow. And so the gauntlet has been thrown down, in the unlikely form of what might be the very blandest title ever conceived of for a romantic drama. Read more... |
Horizon: Out of Control?, BBC TwoWednesday, 14 March 2012
You know that kind of smoothly seductive but nonetheless ominous-sounding voice-over that loads of science programmes seem to love? You know, the kind that’s often used to lull us into thinking that what we’re about to hear is going to present us with some really seismic shift in our perceptions? Well, that’s what gets me about some science programmes. That, and the sense that the more dramatic the voice-over the less dramatic the content. That, and the graphics. Read more... |
Alcatraz, WatchWednesday, 14 March 2012
Contrary to what he said in 1963, US Attorney General Robert Kennedy did not close Alcatraz Federal Penitentiary. Although the last inmate appeared to leave the San Francisco Bay island fortress in leg-irons on 21 March 1963, the prisoners and guards had vanished into thin air, leaving it the Marie Celeste of prisons. The cover-up worked. But now, one-by-one, without having aged, the prisoners are back, blazing a trial of murderous mayhem across modern-day San Francisco. Read more... |
Scott & Bailey, Series 2, ITV1Tuesday, 13 March 2012
There are any number of television detective shows and to differentiate themselves they all need a USP. The excellent Sherlock is a very knowing modern reworking of the original, Life on Mars was set in a time warp, Dirk Gently uses weird global interconnectivity and Whitechapel's coppers solve crimes by referencing Victorian cases. So a cop show that has none of the bells and whistles of the above is somewhat unique. Read more... |
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