tv
How To Stay out of Jail, Channel 4 review – a bold rehabilitation programme from Durham policeWednesday, 19 February 2020
With prison overcrowding reaching chronic proportions, police in County Durham have developed the Checkpoint programme to try to keep offenders out of jail with rehabilitation in the community. It’s like Felons Anonymous – candidates have to sign a contract confessing their crimes and stipulating that they won’t reoffend. Read more... |
Royal History's Biggest Fibs with Lucy Worsley, BBC Four review - is this version more valid than anyone else's?Tuesday, 18 February 2020
Perhaps somebody at BBC Four has had a quiet word with Lucy Worsley, because in this first of a new three-part series she did hardly did any of her usual irritating dressing up. There had to be a bit, though. Read more... |
Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensibleTuesday, 18 February 2020
It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you had to be there.” Baddiel believes there is nothing that is impervious to a joke. Read more... |
The Stranger, Netflix review - strong cast grapples with labyrinthine plottingSaturday, 15 February 2020
This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more. Read more... |
Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthemSaturday, 15 February 2020
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit. Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high school educations. Read more... |
The Split, Series 2, BBC One review - where the law and family fortunes collideWednesday, 12 February 2020
The return of screenwriter Abi Morgan’s series about a largely-female London law firm is no doubt in tune with our gender and equality-conscious times, but that doesn’t mean it’s great television. Read more... |
The Pale Horse, BBC One review - when in doubt, do another Agatha Christie remakeMonday, 10 February 2020
You could sometimes begin to believe that the notion of original TV drama is dying out, replaced by an interminable stream of adaptations and remakes. Did somebody mention Dracula? Read more... |
Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&AFriday, 07 February 2020
The nation’s public attics – museums – hold a huge jumble of objects collected and used in all sorts of ways to tell us stories of past and present. Read more... |
The L Word: Generation Q, Sky Atlantic review - is the new Word as good as the old Word?Wednesday, 05 February 2020
The L Word originally ran for six seasons between 2004 and 2009, and its then-revolutionary depiction of the lives of a group of lesbians in Los Angeles won it both a fanatical audience and acclaim for its game-changing content, exploring such topics as same-sex marriage, gay adoption and female sexuality which weren't being seen elsewhere on TV. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Devil Wears Prada, Dominion Theatre review - efficient b...
It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006...
The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...
The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...
Album: Ajukaja & Mart Avi - Death of Music
Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...
The Producers, Menier Chocolate Factory review - liberating...
There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...
La rondine, LSO, Pappano, Barbican review - sumptuous orches...
There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...
A Midsummer Night's Dream, RSC, Barbican review - visua...
Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...
L’étoile, RNCM, Manchester review - lavish and cheerful absu...
Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...
