fri 26/09/2025

tv

Hold the Sunset, BBC One, review - this is an ex-sitcom

Jasper Rees

You need to be of a certain vintage to have any memory of the traditional suburban family sitcom. Like the Raleigh Chopper and the Betamax video, like amateur athletics and glamrock and key parties, it is an extinct cultural artefact. What did for it? The internet, mainly, and the kids not watching scheduled telly any more, and maybe the rise of stand-up.

Read more...

Troy: Fall of a City, BBC One review - soapification of the Trojan War

Adam Sweeting

The plan to bring drama back to Saturday nights on BBC One enjoyed mixed success with Hard Sun, but now threatens to slide over a cliff with this trip back to the Homeric era. In the era of Game of Thrones and now Britannia, you can see why somebody fancied having a go at the swords-sandals-and-sorcery of the Trojan War. The question is, how?

Read more...

Trauma, ITV, review - surgically imprecise revenge drama

Jasper Rees

When you’re hot, you’re hot.

Read more...

Collateral, BBC Two review - a lecture or a drama?

Adam Sweeting

It says something about the state of television that sooner or later every actor has to play a cop or a spy.

Read more...

McMafia, Series finale, BBC One review - the last bite is the cruellest

Tom Birchenough

McMafia has taught us to recognise one thing – you might call it the “Norton stride”. As the charismatic Alex Godman, James Norton has been advancing, confidently at screen centre, towards one challenge after another, and they have been coming (mildly put) from all sorts of unexpected quarters. He’s dealt with everything by pressing onwards, ignoring advice from all and sundry.

Read more...

Derry Girls, Channel 4 review – bring on series two!

Owen Richards

When first announced, Derry Girls seemed a strange prospect.

Read more...

Spiral, Series 6 Finale, BBC Four review - hot fuzz hit new heights

Adam Sweeting

Happily, there’s hope for Spiral junkies – as series six ends, we bring you news that series seven has just gone into production. This is just as well, because these last dozen episodes have been an object lesson in how to make TV drama for the mind and body, nimbly evading cop show genre-pitfalls to bring us carefully-shaded characters operating within a Venn diagram of overlapping grey areas...

Read more...

Requiem, BBC One review – everything but the scares

Owen Richards

Despite horror’s omnipresence in cinema, British television has been somewhat deprived of jump scares.

Read more...

Gomorrah, Series 3, Sky Atlantic review - there will be blood

Adam Sweeting

No doubt McMafia has its strengths, but it’s like a mug of Horlicks compared to the grappa-with-aviation-fuel blast of Gomorrah (Sky Atlantic). The Naples-set organised crime drama takes no prisoners. It gives no quarter, and expects none.

Read more...

Strike Back, Series 6 part 2, Sky 1 review - shoot first, talk later

Adam Sweeting

After a mysterious mid-season break which seemed to catch everyone by surprise, Strike Back’s sixth season belatedly bounces noisily back. So far the story has ricocheted around the Middle East before detouring to Hungary, where our indestructible Section 20 operatives just managed to save “Mac” McAllister (Warren Brown) from being hanged by the fanatical Magyar Ultra extremist group.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Mariah Carey is still 'Here for It All' after an e...

One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how...

Joanna Pocock: Greyhound review – on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...