tv
The Farthest: Voyager's Interstellar Journey, BBC Four review - awe-inspiring and life-affirming space odysseyFriday, 01 December 2017
Long before Barack Obama spoke about the audacity of hope, the Voyager mission left the Earth driven by something else: the audacity of curiosity. What do the outer planets look like? What are they comprised of? And what’s beyond that? Read more... |
Witnesses: A Frozen Death, BBC Four review - plummeting temperatures in the Pas de CalaisSunday, 26 November 2017
A thankless task, perhaps, to find oneself following in the footsteps of the berserk Spanish melodrama I Know Who You Are (theartsdesk passim). Read more... |
Joe Orton Laid Bare, BBC Two review - charming look at theatre's irresistible upstartSunday, 26 November 2017
Laid Bare – it has a lurid implication which is all too suitable for Joe Orton’s work. During a time where the straight-laced British struggled to ease into sexual liberation, Orton stretched acceptability to its very limits. Salacious acts had been going on behind closed doors long before the Sixties, but everyone hid behind a modest front. Read more... |
Godless, Netflix review – a proper wild west rideThursday, 23 November 2017
There’s a storm heading to La Belle, the small forgotten town in the heart of the American West. As black clouds flash above the prairie, the injured body of Roy Goode (Jack O’Connell) falls at the door of widowed rancher Alice Fletcher (Michelle Dockery). After adding one more wound to his collection, she takes in the stranger and helps him heal. Read more... |
I Know Who You Are, series 2 finale, BBC Four review - Spanish drama literally took no prisonersSunday, 19 November 2017
So, if you’re reading this you probably trudged all the weary way to the very end of I Know Who You Are. Or you didn’t but still want to find out what the hell happened. After 20-plus hours of twisting, turning, overblown drama, long-service medals are in order for all who flopped over the line. Read more... |
Love, Lies & Records, BBC One review - Ashley Jensen too good to be trueFriday, 17 November 2017
Love, Lies & Records (BBC One) is one of those bathetic titles that are very Yorkshire. See also Last Tango in Halifax, which didn’t do badly. Sleepless in Settle is surely in development. Read more... |
Peaky Blinders, series 4, BBC Two review - new threats, same thrillsThursday, 16 November 2017
BBC Two’s flagship crime drama Peaky Blinders returns for another guilty dose of slo-mo walking, flying sparks and anachronistic soundtracks. Read more... |
Motherland / Detectorists review - comedy classics go at their own paceThursday, 16 November 2017
As Motherland settles down into its first series proper after last year’s pilot, it still seems to be going at a fair gallop. Read more... |
Storyville: Toffs, Queers and Traitors, BBC Four review - the spy who was a scampTuesday, 14 November 2017
“There is something odd, I suppose, about anyone who betrays their country.” It’s an excellent opening line, particularly when delivered in director George Carey’s nicely querulous narrative voice, for Toffs, Queers and Traitors (BBC Four). Read more... |
Howards End, BBC One review - EM Forster adaptation is finding its footingMonday, 13 November 2017
Can it really be a quarter-century since that finest of all Merchant-Ivory film adaptations, Howards End, was first released? Read more... |
Pages
latest in today
Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nag...
“Mozart, made in Manchester”, the project to perform and record...
A Very Royal Scandal, Prime Video review - a fairly sound re...
Why do production companies think the world needs yet another reconstituted TV drama involving famous people in infamous situations? Newspapers...
The law's sick voyeurism - director Cédric Kahn on...
The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...
Album: Katy Perry - 143
Life can be unfair, and Katy Perry can’t be alone in finding herself having to take the rough with the smooth. Still, anyone would have thought...
Nightsleeper, BBC One review - strangers on a runaway train
“Let the train take the strain”, as the old advertising slogan urged us. The train in this...
Notes from Sheepland review - her farm is her canvas
Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she...
The Substance review - Demi Moore as an ageing Hollywood cel...
If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally...
Moby, O2 review - ebullient night of rave'n'rock...
Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his...
Strange Darling review - love really hurts
“Are you a serial killer?” asks a woman sitting in a pick up truck with a man she just met at a bar. The neon sign from the motel...
The Goldman Case review - blistering French political drama
It’s a bold move to give a UK cinema release to this fierce courtroom drama about a French left-wing intellectual who was assassinated in1979....