thu 20/06/2019

Visual Arts Galleries

Photo Gallery: Everything was Moving - Photography from the 60s and 70s, Barbican Gallery

Marina Vaizey

Take the day, and a stiff drink afterwards, as you’ll need it for this thoughtful and deeply disturbing exhibition. A picture, goes the cliché, is worth a thousand words, and nowhere more so than in this heartbreaking, beautiful and affecting anthology, which manages to speak with unparalleled directness, yet with nuanced subtlety.

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Intimate Exposure: Marilyn Monroe 50 Years On

Sarah Kent

It’s 50 years since Marilyn Monroe died alone on the night of August 4, 1962, from swallowing too many sleeping pills. The sad story soon became the stuff of legend. When they found her, she was still slumped over the telephone receiver; she had been ringing around, desperately trying to get help. Rumours soon spread about her relationship with Senator Robert Kennedy and possible access to state secrets, which gave rise to far-fetched conspiracy theories implicating the CIA in her death.

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Gallery: Collecting the Olympic Games, British Library

theartsdesk

As London 2012 finally settles into the blocks for its two-week dash after seven years of preparation, the British Library has cast a nostalgic look back to the two previous Olympiads hosted by the city, in 1908 and 1948. The story the images tell is of the changing face of the Olympics.

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Photo Gallery: Top Deck

Justin Quirk

In popular myth, Margaret Thatcher reportedly said that any man still travelling by bus after the age of 30 could consider himself a failure. The quote is almost certainly apocryphal, but it stuck in the public consciousness because it sounded like the kind of thing that an arch-conservative would say; cars were the preserve of the rich and successful, whereas buses were how the poor, the failed and the antisocial travelled around the city.

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Art Gallery: London Art Fair 2012

Fisun Güner

Featuring over 100 galleries specialising in modern and contemporary British art, the London Art Fair is a January highlight for those who prefer a more relaxed atmosphere to that offered by the international VIP frenzy of Frieze. From the great names of the 20th century to leading contemporary artists and emerging talent, the fair offers a tantalising showcase on a huge variety of British art.

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Photo Gallery: Ken Russell - A Retrospective

Jasper Rees

An exhibition of Ken Russell's photographs, taken in the 1950s, spirits you back to a London still in recovery from the trauma of war. And yet seen through the prism of Russell's lively eye, always on the look-out for mischief and absurdity, an era we now view as both innocent and slightly dull appears anything but. He took a series of pictures in Hyde Park designed to lampoon ridiculous local by-laws. He had fun with stilts and penny farthings and assorted props.

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Art Gallery: Egyptian and Nubian Galleries, Ashmolean Museum

Fisun Güner

The Ashmolean Museum opens the doors to its Egyptian and Nubian galleries tomorrow and in these six refurbished rooms you’ll be able to see one of the greatest collections (among some 40,000 antiquities) outside Cairo. Designed by the architect Rick Mather, the galleries cover 5,000 years of human history, including objects that have been part of the museum’s collection since it opened in 1683.

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Gallery: David McCabe and the Early Years of Warhol's Factory

Mark Hudson

Who needs to hear or see anything more of the creepily manipulative world of Andy Warhol’s Factory? We’ve seen the films (well, bits of them); we bought the album (the one with the banana on the front); we’ve bought and dispensed with the images (in cheap repro form) several times over. We’ve seen those grainily evocative images of the Velvet Underground, Edie Sedgwick, Gerard Malanga and co looking glassily back at us so many times we almost feel we were there ourselves.

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Photo Gallery: Corinne Day - The Face

Fisun Güner

The Eighties, the decade that fed us the creed of “greed is good”, spawned the fashion “glamazon”. She had supergloss looks and a full décolletage, and, naturally, she wouldn’t get out of bed for less than 10K. In the Nineties, the decade that ushered in grunge and Cool Britannia, an entirely different creature emerged. She was very young, very skinny, and had a look that somehow combined the exquisitely ethereal and the very ordinary. She came in the gamine shape of Kate Moss.

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Graffiti Gallery: Crack & Shine International

theartsdesk

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