mon 27/06/2022

Visual Arts Interviews

10 Questions for art historian and fiction writer Chloë Ashby

Hannah Hutching

“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut novel, Wet Paint, asks this question standing in front of Édouard Manet’s painting "A Bar at the Folies-Bergère" (1882). Yet she could easily be asking herself the same question.

Read more...

'A nun destroyed my tent': artist Kate Daudy talks about NFTs, refugees, and having her work thrown out with the trash

Jessica Baldwin

It’s been a turbulent week for British artist Kate Daudy. Am I My Brother’s Keeper, her refugee tent (main picture), the art installation and seminal work that propelled her to international fame is gone, thrown out with the trash.

Read more...

Documenting the unimaginable: photographer Sebastião Salgado talks about climate change, dodging caimans and changing perspectives

Rachel Halliburton

Sebastião Salgado has carved out his career by documenting the unimaginable. He takes areas of life all too often ignored by wealthy westerners and reveals them in mesmerising, teeming detail.

Read more...

10 Questions for Irina Nalis

joe Muggs

Normally we'd put a descriptor - "cellist", "film maker", "techno producer" for example - in the title of this interview, but for Irina Nalis there isn't space. Like, "10 Questions for psychologist, ministerial adviser, festival founder, architectural consultant, digital humanism activist and techno veteran Irina Nalis" wouldn't fit across the page. But that's the multidisciplinary world for you.

Read more...

10 Questions for author Martin Gayford

Marina Vaizey

Over the past four decades Martin Gayford, The Spectator’s art critic, has travelled the world, been published in an amazing range of print and digital publications and written more than 20 books, many of them involving his fascination not only with looking at art, but also its making.

Read more...

An encounter with John Richardson, Picasso's biographer who has died at 95

Jasper Rees

When I interviewed John Richardson, who has died at the age of 95, he was edging through his definitive four-tome life of the minuscule giant of Cubism. Of the various breaks he took from the business of research and writing, one yielded The Sorcerer’s Apprentice, a gossipy, elegant account of his own friendship with Picasso in the 1950s, when he lived in Provençal splendour with Douglas Cooper, then the owner of the finest collection of Cubist art in the world.

Read more...

10 Questions for Artist David Shrigley

Thomas H Green

David Shrigley (b. 1968) is an artist whose work has become broadly popular via a wide range of formats. At first glance, his stark pen-on-paper drawings seem akin to humorous newspaper cartoons – and, indeed, he’s contributed to The Guardian for years – but there's another layer to his work, something odder, slyer, psychologically attuned to the relationship between the...

Read more...

10 Questions for Artist Brett Goodroad

Thomas H Green

Brett Goodroad (b. 1979) is an artist and painter based in San Francisco. Born and raised in rural Montana, in 2012 he received the Tournesol Award, overseen by Sausalito’s Headland Center for the Arts.

Read more...

Brighton Festival 2017: 12 Free Events

Thomas H Green

The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”.

Read more...

Artist Tyler Mallison: 'I don’t think about materials as being merely visible objects or things'

Mark Sheerin

Artist and curator Tyler Mallison has chosen the world’s most generic title for his current exhibition. It's called New Material, and the surprising thing one discovers is that the hackneyed "new" really can be quite fresh. Sculpture and painting comprise display units, work desks, gym equipment, packing tape and whitewash.

Read more...

Pages

latest in today

The Rolling Stones, BST Hyde Park review - let it rock!

A few spots of rain greeted the arrival of the...

Mad House, Ambassadors Theatre review - David Harbour is mag...

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a...

Eric Ravilious: Drawn to War review - a lovingly crafted doc...

There’s a sharp observation, delivered in Alan Bennet’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his...

Music Reissues Weekly: Whatever You Want - Bob Crewe's...

In 1965, Bob Crewe was living alongside Central Park in...

George Fu, St Martin-in-the-Fields review - high intellect a...

Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at...

Mieko Kawakami: All the Lovers in the Night review - the raw...

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction...

Album: James Vincent McMorrow - The Less I Knew

An artist with a myriad of strings to his bow – gifted wordsmith, multi-instrumentalist, captivating...

Elvis review - Austin Butler shines in patchy biopic

Strictly Ballroom aside, I’ve never been entirely persuaded by...