mon 23/12/2024

Visual Arts Reviews

Louise Bourgeois: The Return of the Repressed, Freud Museum

Fisun Güner

Louise Bourgeois tirelessly, obsessively documented her 32 years of psychoanalysis.

Read more...

Johan Zoffany: Society Observed, Royal Academy

Marina Vaizey

Royal families and royal academies. Aristocrats at ease in exquisitely landscaped gardens or inside in gorgeous drawings rooms. Actors emoting, notably Sir David Garrick and his troupe. Nabobs in India. All are depicted in Johan Zoffany’s rivetingly detailed paintings of Georgian society.

Read more...

AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The Roundhouse

Igor Toronyi-Lalic

It's often more fun on the margins. The pickings are richer. The view is clearer. You can take aim easier. The AV Festival has spent more than eight years here, on the counter-cultural edges, delving into the divisional cracks between art, music and film.

Read more...

Mixed Media, Haunch of Venison

Josh Spero

Group shows can be strained: the rubric can be so narrow that it has to be stretched to accommodate the artists at hand. That is one reason why Haunch of Venison's new show, Mixed Media, is so pleasing: it features contemporary sculpture with an emphasis on the varied materials in use today, a capacious but not unlimited mission. The other reason is that the work is just damned good.

Read more...

Alighiero Boetti: Game Plan, Tate Modern

Sarah Kent

Two superb exhibitions at Tate Modern bring into public view the work of Japanese artist Yayoi Kusama and Italian conceptualist Alighiero Boetti; their work is not in any way connected except that, with their singular voices, each deserves much broader recognition.

Read more...

Lines of Thought, Parasol Unit

Judith Flanders

A show about lines: my tiny minimalist heart goes pitter-patter. And with good cause. Lines can be a bit blah – a quick scribble, and you’re on to the next thing. But they can also by their very simplicity, their irreduceability, lay bare some fundamentals, can draw a line under (yes, lots of “line” jokes available: line right up!) what really matters.

Read more...

Song Dong: Waste Not, The Curve, Barbican

Marina Vaizey

A remarkably tidy parade of thousands upon thousands of objects, neatly grouped into their categories – soap, plastic bottles, cooking pots and utensils, empty cardboard boxes, shoes, flower pots, gloves, string, to name but a few – Waste Not is a deeply disturbing yet affecting display of the obsessive accumulation of sheer stuff.

Read more...

Captain Scott: South for Science, National Museum Wales

Jasper Rees

In a year of centenary celebrations paying homage to Captain Scott and the men who accompanied him to Antarctica at the end of the Edwardian age, two exhibitions in London have assumed pride of place. The Natural History Museum places a spotlight on the scientific achievements of the Terra Nova expedition. At the Queen’s Gallery two photographic archives capture with remarkable immediacy the sheer splendour of the polar regions.

Read more...

Jeremy Deller: Joy in People, Hayward Gallery

Fisun Güner

As he readily acknowledges himself, Jeremy Deller can’t paint and he can’t draw, so he never went to art school. For many artists of his generation (he’s 46), this lack of traditionally based skills seems not to have presented a problem. But Deller clearly isn’t one for trying to be good at things he’s so self-evidently bad at, so instead of going to art school he studied art history, and then began to follow his interests.

Read more...

Hajj: Journey to the Heart of Islam, British Museum

Fisun Güner

Hajj: Journey to the Heart of Islam is an exhibition about faith that even an avowed atheist might find rather moving. The last of the British Museum’s series of in-depth exhibitions exploring aspects of the three great Abrahamic religions, the exhibition attempts to shed light on what is, to outsiders at least, the most mysterious of religious rituals.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Death in Paradise Christmas Special, BBC One review - who ki...

Though Death in Paradise is an Anglo-French production filmed in Guadeloupe, in the French West Indies, the Frenchness seems to have...

Albums of the year 2024: Everything Everything - Mountainhea...

There are some years where my pick for album of the year is obvious; something stands out so...

Music Reissues Weekly: Hawkwind - X In Search Of Space, Dore...

One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album...

Twelfth Night, Royal Shakespeare Theatre review - comic ener...

It is not just Twelfth Night, it’s Twelfth Night, or What You Will in The Folio,...

Blu-ray: Hitchcock - The Beginning

There's a tension in Alfred Hitchcock’s early films between misogyny and condemnation of...

Albums of the Year 2024: Samara Joy - Portrait

From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been...

Nutcracker, English National Ballet, Coliseum review - Tchai...

No new production of a beloved old ballet can please everyone, and there is none more beloved, or more frequently produced, than ...

You Me Bum Bum Train, secret location review - a joyful mult...

This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride...