Visual Arts Reviews
Prunella Clough, Annely JudaThursday, 17 May 2012
Prunella Clough, 1919–1999, was one of the most idiosyncratic and original British artists of the postwar period. Her art is reticent, shy, subtle - yet in both life and aesthetics she was a free and generous spirit. Now there is a fine selection of works large and small, but all domestic in size, on view in the West End, marking the publication of a magisterial new biography by Frances Spalding. Read more... |
Writing Britain: Wastelands to Wonderlands, British LibraryMonday, 14 May 2012
Wordsworth would not be happy. The bard of Grasmere once wrote a poem deploring the new-fangled habit of tourists wandering about the lakes with a book in hand. “A practice very common,” he harrumphed, before crossing out the whole poem. The preference, as he saw it, should be to engage directly with the landscape rather have one’s responses fed to us through the prism of literature. Read more... |
Edmund de Waal, Waddesdon ManorFriday, 11 May 2012
From Caro at Chatsworth and now de Waal at Waddesdon, the grandest of the stately homes are invigorating their historic collections with seasonings of the contemporary. Like Chatsworth, Waddesdon also has a growing permanent collection of contemporary sculpture housed in its famous gardens, from Michael Craig-Martin to Richard Long, as well as a small group of Lucian Freud indoors, including a portrait of the current Lord Rothschild. Read more... |
Picasso Prints: The Vollard Suite, British MuseumTuesday, 08 May 2012
The Vollard Suite is Picasso’s most celebrated series of etchings. Named after Ambroise Vollard, the influential avant-garde art dealer who gave the 19-year-old Picasso his first exhibition in Paris in 1901, the series was commissioned by the dealer in 1930. For the next seven years Picasso worked on it in creative bursts, completing a series of 100 etchings. Read more... |
Bauhaus: Art as Life, BarbicanFriday, 04 May 2012
As an art school the Bauhaus has a reputation for being the cradle of modernism, famous for establishing an alliance between art and industry which produced enduring design classics such as Marcel Breuer’s tubular steel chairs, Josef Albers’ silver and glass fruit bowl and Marianne Brandt’s elegant globe lamps. But that is only part of the story. Read more... |
Out of Focus: Photography, Saatchi GalleryFriday, 27 April 2012
Exhibitions at the Saatchi Gallery tend to start with a bang and end with a whimper; so to avoid the experience of diminishing returns, I started upstairs – hoping to save the best until last. The stratagem worked perfectly; my final encounter was with 20 portraits by American photographer Katy Grannan, undoubtedly the star of the show, that fill the first gallery to knock-out effect. Read more... |
Glasgow International Festival of Visual Art 2012Wednesday, 25 April 2012
If you choose to walk between the venues of the 2012 Glagow InternationaI Festival of Visual Art, the incredible energy of the place engulfs you and you begin to understand why so many artists have made it their home. All eras of architecture and layers of the City’s history seem to be represented: you gawp at monolithic buildings which seem to rise and fall almost before your eyes, with gems from the past sandwiched as improbable survivors. Read more... |
Cotton: Global Threads, Whitworth Art GalleryMonday, 23 April 2012
Manchester was once known as Cottonopolis, since the city was once at the centre of the vast global industry reponsible for its growth and prosperity.The Whitworth Art Gallery, which is part of Manchester University, has in its collection a wealth of textiles, providing not just a colourful history of local cotton manufacture, but tracing the trade’s international links. Read more... |
Liza Lou, White Cube HoxtonMonday, 23 April 2012
There was something perverse about the opening of Liza Lou’s show at White Cube in Hoxton Square on a wet Thursday evening. It was as quiet as I’ve ever known it inside, while outside, barred from drinking among Lou’s fragile works, a throng of people guzzled free beer on the other side of the street in the rain. Read more... |
Ron Mueck, Hauser & WirthFriday, 20 April 2012
Yesterday I fell in love with a black boy less than half my age and half my size – or, rather, a sculpture of a black boy. At just over two feet tall, Ron Mueck’s Youth is utterly beguiling. His silken skin, slender fingers, low-slung jeans and paisley patterned underpants are seductive enough; what made me lose my head, though, was the suggestion of dirt under his neatly clipped toenails. Read more... |
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