sat 20/04/2024

book reviews and features

Extract: David Lan's As If By Chance

David Lan

In June 2001 the London Festival of International Theatre brought Amir Nizar Zuabi’s Alive from ...

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Elinor Cleghorn: Unwell Women review – misunderstanding and misdiagnosis

Lydia Bunt

I’m one of the women in the pages of Elinor Cleghorn’s new history of the female body, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World. I’ve dealt with strange...

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Ed Miliband: Go Big - How to Fix Our World review - reasons to hope

Liz Thomson

Almost alone among my friends, I liked and admired Ed Miliband, renewing my on-off relationship with the Labour...

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Nichola Raihani: The Social Instinct review - the habits of co-operation

Jon Turney

An army on the move must be as disturbing as it is, on occasion, inspiring. In E.L. Doctorow’s startlingly good civil war novel The March, General Sherman’s column proceeds inexorably...

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Kylie Whitehead: Absorbed review - boundary-blurry, darkly funny debut

CP Hunter

Absorbed meets Allison at the end of her relationship with Owen. They are at a New Year's Eve party when she realises that their 10-year partnership has wound down. So far, so normal. But...

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Rosie Wilby: The Breakup Monologues review - do breakups make us stronger, better people?

Lydia Bunt

According to Rosie Wilby, “breaking up and staying together are simply two sides of the same coin. They are a flick of a switch apart, separated only by one fleeting moment of madness, or perhaps...

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Natasha Brown: Assembly review - turning personal crisis into perfect criticism

Daniel Lewis

School assembly: one of the many great traditions to be upended by the pandemic. According to this...

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Esther Freud: I Couldn't Love You More review - the alternative history of a pregnancy

Markie Robson-Scott

The glamorous unreliability of Esther Freud’s father, Lucian Freud, is an inescapable force in her...

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Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric Muses

Tim Cumming

It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and...

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Sam Riviere: Dead Souls review – whip-smart literary satire with a techno tinge

Boyd Tonkin

In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to...

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London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

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