Classical Reviews
LSO, Rattle, Barbican review - Bartók dances, Bruckner singsTuesday, 15 January 2019
Bartók’s Music for Strings, Percussion and Celesta and Bruckner’s Sixth Symphony: few other conductors could get away with programming two such monolithic works, but Simon Rattle has a lightness of touch that can leaven even... Read more... |
Fibonacci Sequence, Conway Hall review - characterful chamber music for windsTuesday, 15 January 2019
Most classical concert reviews focus on prominent orchestras and opera companies at major venues. But beyond the likes of the Barbican and the Royal Opera House, there are whole strata of musical life where smaller scale ensembles and amateur choirs provide a vital live music experience in less exalted venues. Read more... |
Mutter, Vengerov, Argerich, Oxford Philharmonic, Papadopoulos, Barbican review - a birthday banquetMonday, 14 January 2019
When three of the planet’s starriest soloists take the time to celebrate the anniversary of a young, non-metropolitan orchestra, it may seem perverse to leave the hall entranced most by the one work in which the illustrious trio played no part. Read more... |
Hannigan, LSO, Rattle, Barbican review - the sublime and the beautifulFriday, 11 January 2019
With the London Symphony Orchestra often playing like some commanding and relentless force of nature, Sir Simon Rattle steered two mighty avalanches of Nordic sound into a concert of granitic authority last night. Read more... |
Ed Vulliamy: When Words Fail review - the band plays onSunday, 23 December 2018
If you're seeking ideas for new playlists and diverse suggestions for reading - and when better to look than at this time of year? - then beware: you may be overwhelmed by the infectious enthusiasms of Ed Vulliamy, hyper-journalist, witness-bearer, true Mensch and member of the first band to spit in public (as far as he can tell). Read more... |
Alice Coote, Christian Blackshaw, Wigmore Hall review – deep feeling and high dramaSaturday, 22 December 2018
In the recital world, so it sometimes seems, no good deed ever goes unpunished. Like Ian Bostridge (another singer who tries to reinvigorate an often rigid format), Alice Coote often has to fend off brickbats whenever she inject the drama of new ideas into the hallowed rituals of the concert hall. Read more... |
L'enfance du Christ, BBCSO, Gardner, Barbican review - Berlioz's kindest wonderTuesday, 18 December 2018
Like the fountains that sprang up in the desert during the Holy Family's flight into Egypt - according to a charming episode in the Gospel of Pseudo-Matthew - Berlioz's new-found creativity in the 1850s flowed from a couple of bars of organ music he inscribed in a friend's visitors book. Read more... |
Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard mastersTuesday, 18 December 2018
Two successive nights, two contrasted solo keyboard recitals at the Wigmore Hall: not great for the knees but marvellous for the soul. Read more... |
Epiphoni Consort, Reader, St Paul's Covent Garden review - historical drama with seasonal spiritMonday, 17 December 2018
Like a supermarket "Christmas Dinner" sandwich, cramming the delights of a full festive lunch into every bite, Epiphoni Consort’s The Christmas Truce was at once historical play, choral concert and carol service, and so wonderfully enjoyable I didn’t want it to end. Read more... |
Thomas Adès, Wigmore Hall review - playful and erratic JanáčekTuesday, 11 December 2018
Janáček has been an abiding passion for Thomas Adès. As both composer and performer, Adès revels in the whimsical and the absurd, and he finds both in Janáček’s piano works. Read more... |
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