Classical Reviews
Françoise-Green Piano Duo, St John's Smith SquareFriday, 08 April 2016
Who wouldn't wish to have been a fly on the wall during those pre-recording days when composers and their friends played piano-duet arrangements of the great orchestral works? Any notion that we don't need such reductions anymore was swept aside by Antoine Françoise and Robin Green in the fourth concert of an untrumpeted but brilliantly conceived piano-duo series matching transcriptions of 20th-century Viennese masterworks with Mozart and/or Schubert and five world premieres. Read more... |
Bach B Minor Mass, London Bach Singers, Feinstein Ensemble, Kings PlaceSunday, 03 April 2016
The B Minor Mass comes in many shapes and sizes. Martin Feinstein opts for a bright and bijou approach, with period instruments, one to a part, and a choir of ten. The small ensemble sometimes lacks finesse, but makes up for it in dynamism, passion, and sheer joy. There was nothing chamber-scaled about this reading: it was all big gestures and direct emotions. Read more... |
Schubert Lieder, Gerhaher, Huber, Wigmore HallFriday, 01 April 2016
In the Wigmore's Lieder prayer meetings, baritone Christian Gerhaher is the high priest. There are good reasons for this, but given that the innermost circle of Wigmore Friends pack out his concerts, you do feel that the slightest criticism might merit lynching by the ecstatic communicants. Read more... |
Capuçon, RPO, Dutoit, Royal Festival HallWednesday, 30 March 2016
Charles Dutoit gets the best from the Royal Philharmonic. He conducts with broad, sweeping gestures, and the orchestra responds with dramatic immediacy and vivid colours. This concert’s programme was well chosen to play to their shared strengths, and the results were impressive: colourful Respighi, muscular Dvořák and taut, compelling Stravinsky. Read more... |
Classical CDs Weekly: Elgar, Galilei, Scelsi, Vaughan WilliamsSaturday, 26 March 2016
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Des canyons aux étoiles, Los Angeles Philharmonic, Dudamel, BarbicanThursday, 24 March 2016
Art can inspire music, and vice versa. When concert (as opposed to theatre or film) scores are accompanied by images, however, the effect dilutes the impact of both; above all, the imagination stops working on the visual dimension created in the mind's eye. Read more... |
Mahler 2, Coote, Tynan, RPO, Petrenko, Royal Albert HallWednesday, 23 March 2016
An auspicious debut with the Royal Philharmonic for Vasily Petrenko. Just watching him conduct, it is clear that he is a natural communicator, always giving a clear, generous beat and never missing a cue. No surprise, then, that the orchestra was on his wavelength from the start last night in Mahler's Second ("Resurrection") Symphony, reflecting back all his dynamism and focus. Read more... |
St Matthew Passion, Bach Choir, Florilegium, Hill, RFHTuesday, 22 March 2016
The annual Bach Choir St Matthew Passion is a satisfying mix of new and old. The tradition dates back to 1930, and, as was the fashion then, the choir employed is huge. Applause is kept to a minimum, another nod to tradition, as is the translation of the text into English. Read more... |
Tsybuleva, Institut Français/TAM Estonia, St James PiccadillyMonday, 21 March 2016
Cherrypicking from 17 concerts to come up with the one by last year's Leeds International Piano Competition winner may seem a bit unfair to the French Institute's ever more ambitious annual It's All About Piano! Festival. Read more... |
Scenes from Faust, LSO, Harding, BarbicanMonday, 21 March 2016
Some of us have waited years for this. The opportunity to see Schumann’s largest, most ambitious work was not to be missed. For this most literary of composers, setting the Alpha and Omega of German poetry was a labour of love, which he undertook in reverse, but with progressively less reliable inspiration. Read more... |
Vincenzo Galilei: The Well-tempered Lute Žak Osmo (lute) (Hyperion)Pages
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