Classical Reviews
Classical CDs Weekly: Borenstein, Satie, TchaikovskySaturday, 11 June 2016
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Matthias Goerne, Daniil Trifonov, Wigmore HallThursday, 09 June 2016
If you needed further proof of the intelligence, the thoughtfulness of Daniil Trifonov’s musicianship, the programme for his four-concert residency at the Wigmore Hall would go a long way towards providing it. How many young soloists of Trifonov’s standing would choose to turn song-accompanist for an evening of lieder? And how many, having done so, would deliver so generous and self-effacing a performance? Read more... |
Classical CDs Weekly: Bach, Alison Balsom, Steven OsborneSaturday, 04 June 2016
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Stravinsky: Myths & Rituals, Philharmonia, Salonen, St John’s Smith SquareFriday, 03 June 2016
I had been looking forward to last night's concert since it was first announced over a year ago. For a Stravinsky nut the chance to hear pieces whose live performances are vanishingly rare was not one to be missed. And it turns out there are enough other fans of austere late Stravinsky to sell out St John’s Smith Square, which proved a very suitable venue for this programme. Read more... |
CBSO, McGegan, Symphony Hall BirminghamThursday, 02 June 2016
“Our Shakespeare” is the name of the CBSO’s current season. They're making the same point that Ben Elton makes slightly less subtly in Upstart Crow: that Shakespeare was basically a Brummie. And by implication, that four centuries of musical Bardolatory, from Purcell’s The Fairy Queen to Verdi’s Falstaff, is all on some level Made in Birmingham. Read more... |
Znaider, LSO, Pappano, BarbicanMonday, 30 May 2016
Anger and fear in Elgar, introspection in middle-period Beethoven: these are undervalued qualities in each composer’s music. Yet such moods were vividly present in two hyper-nuanced interpretations last night. Read more... |
Classical CDs Weekly: Kenneth Hesketh, Vaughan Williams, Ensemble PygmalionSaturday, 28 May 2016
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Cédric Tiberghien, Wigmore HallWednesday, 25 May 2016
This programme looked like a non-starter on paper, a long sequence of short Bartók dance settings, followed by a second half that was dominated by works for children from Bartók and Kurtág. But it worked, largely thanks to Cédric Tiberghien’s conviction in these short works and his ability to make imposing and decisive statements with a minimum of musical material. Read more... |
Prohaska, Eberle and Friends, Wigmore HallTuesday, 24 May 2016
A quick plot summary might be required here, because how this programme of Schubert, Pergolesi and Webern came into being was far from obvious. Two young soloists, one a violinist in her late twenties, one a singer in her early thirties, both born in Swabia (part of Bavaria), share the same agent and wanted to do a project together. So they are currently on an eight-date concert tour of five European countries. Read more... |
St Ludmila, Hallé, Elder, Bridgewater Hall, ManchesterMonday, 23 May 2016
The Victorians liked their oratorios long and loud (most of the time), and when Dvořák wrote St Ludmila for the Leeds Festival of 1886 he got the style exactly right. Sir Mark Elder brought his and the Hallé’s celebration of Dvořák to a thunderous close with a performance which deftly abbreviated the score and also unveiled a new English version derived from a working translation of the Czech text by David Pountney. Read more... |
Nimrod Borenstein: Suspended opus 69 das freie orchester Berlin/Laércio Diniz (Solaire Records)
Bach: Goldberg Variations Bassoon Consort Frankfurt (MDG)
Kenneth Hesketh: horae (pro clara) Clare Hammond (piano) (BIS)Pages
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