Classical Reviews
The Kingdom, Three Choirs Festival, GloucesterTuesday, 26 July 2016
The last time but one that the Three Choirs Festival was in Gloucester the main offering was Elgar’s oratorio The Kingdom, and there’s a kind of inevitability about the same work turning up again, same place, same occasion, six years later. After all, the Three Choirs has not survived for almost 300 years by a fidgety policy of constant renewal. Read more... |
Prom 13: London Philharmonic Orchestra and Choir, JurowskiMonday, 25 July 2016
The last time I heard Beethoven's setting of Schiller's Ode to Joy in the finale of his Ninth Symphony, it was as European anthem at the end of this May's Europe Day Concert, and everybody gladly stood. That hopeful occasion was distinguished by Andrew Manze's Rameauisation of the melody, stylishly played by Rachel Podger and the European Union Baroque Orchestra. Read more... |
Prom 11: Wilson, Creswell, BBC National Orchestra and Chorus of Wales, WigglesworthSunday, 24 July 2016
It's not often you think you detect a future Brünnhilde in a soprano performing a great Verdi role, but that was the case when American Tamara Wilson made her UK debut last autumn as a stunning Leonora in the ENO production of Verdi's The Force of Destiny. So would she sing the Ring? Not for 10 years at least, she said. Read more... |
Prom 9: Feola, Le Cercle de l'Harmonie, RhorerSaturday, 23 July 2016
It's never easy readjusting to the weird and sometimes wonderful acoustics of Albert's colosseum at Proms time, least of all when the first thing you hear there comes from a period-instrument band. Tuning in to Jérémie Rhorer's Le Cercle de l'Harmonie didn't take too long, however, while the urgent projection and diction of a splendid new Italian soprano on the block, Rosa Feola, did the hall proud. Read more... |
Classical CDs Weekly: Bruckner, Mahler, Nielsen, SchnittkeSaturday, 23 July 2016
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Prom 5: Missa Solemnis, BBCPO, NosedaWednesday, 20 July 2016
Even in a performance as well-organised as this one, masterminded by Gianandrea Noseda, there is still something of the codebook about the Missa solemnis. Its length and scale simultaneously attract devotion and repel the kind of affection drawn by earlier, spaciously conceived and more abstractly “spiritual” works such as the “Pastoral” Symphony and Violin Concerto. Read more... |
Prom 3: Crowe, OAE, CleoburyMonday, 18 July 2016
It is interesting to note how, in the space of a few short decades, so-called “period instrument” performances of classical music have moved from edgy experimentation to the mainstream of the tradition. In last night’s Prom, the Orchestra of the Age of Enlightenment (OAE), born in 1986, was paired with the choir of King’s College Cambridge, tracing its origins back to 1441, to largely happy effect. Read more... |
The Brook Street Band, Wigmore HallMonday, 18 July 2016
Happy returns of various kinds last night at the Wigmore Hall, where hall regulars the Brook Street Band (violins Rachel Harris and Farran Scott, cellist Tatty Theo and harpsichordist Carolyn Gibley) took to the stage along with a number of musical friends for a 20th birthday celebration concert. Read more... |
Prom 2: Boris Godunov, Royal Opera, PappanoSunday, 17 July 2016
The Royal Opera’s Boris Godunov production made the short trip from Covent Garden to South Ken for the company’s appearance at the 2016 Proms. The opera (here in its original 1869 version) is a good choice for concert presentation: as Antonio Pappano writes in the programme, much of its music approaches oratorio. That is particularly true of the choral numbers, and the work is a tour de force for the Royal Opera Chorus. Read more... |
Cheltenham Music Festival 2016Sunday, 17 July 2016
It’s impossible to get the measure of the Cheltenham Music Festival in just one day. Lasting more than a fortnight, this is the festival that made the running in postwar British music: that helped put Malcolm Arnold and Robert Simpson on the map and defined a genre - the “Cheltenham Symphony”. Times change and financial pressures increase, but under the artistic directorship of Meurig Bowen, Cheltenham is still a powerful (if undervalued) force in contemporary classical music. Read more... |
Bruckner: Mass No. 3 in F minor Soloists, Bavarian Radio Choir, Bamberg Symphony Orchestra/Robin Ticciati (Tudor)Pages
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