fri 07/03/2025

Classical Reviews

Murray Perahia, Barbican

Sebastian Scotney

A couple of hours of certainty really were very welcome during referendum week, and Murray Perahia did indeed bring clarity, poise, and an unquestioned masterpiece – Beethoven's Hammerklavier Sonata – to a full Barbican Hall last night. And not a single note of music written after 1893.

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Cottier Chamber Project 2016, Glasgow

David Kettle

It should have been a complete disaster. Not announcing your festival’s programme until barely a week before it started ought to have guaranteed that nobody knew about it – no press, no audiences, other plans made, other things booked.

But still they came. It’s testament to the Cottier Chamber Project’s now firmly established place in Scotland’s summer musical life – this is its sixth year – that even keeping audiences in the dark as to what was planned didn’t deter them.

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Classical CDs Weekly: Beshevli, Gershwin, Gilbert & Sullivan

graham Rickson


Ilya Beshevli: Wanderer (Village Green)

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Multi-Story Orchestra, Stark, Spitalfields Music Summer Festival

Helen Wallace

Crazy-faced space-hopper, playmobil fireman, marble run: toys from my own childhood, staring at me now from out of glass cases, alongside an 18th century marionette, thread-bare rocking horses and a headless Georgian doll. This concert in the Museum of Childhood could have been a wallow in nostalgia. Instead, with their usual brand of ingenuity, the Multi-Story Orchestra kindled musical artefacts into vibrant life.

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Illuminations, Tynan, Aurora Orchestra, Collon, Snape Maltings

Helen Wallace

Nothing galvanises an audience quite like physical risk. As soprano Sarah Tynan rose on a hoop into the darkness, intoning the final words of "Départ" from Britten's song cycle Les Illuminations, you could almost hear her heart race. Beneath, a troupe of circus performers held the rope – and her life – in their hands.

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Classical CDs Weekly: Borenstein, Satie, Tchaikovsky

graham Rickson


Nimrod Borenstein: Suspended opus 69 das freie orchester Berlin/Laércio Diniz (Solaire Records)

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Matthias Goerne, Daniil Trifonov, Wigmore Hall

alexandra Coghlan

If you needed further proof of the intelligence, the thoughtfulness of Daniil Trifonov’s musicianship, the programme for his four-concert residency at the Wigmore Hall would go a long way towards providing it. How many young soloists of Trifonov’s standing would choose to turn song-accompanist for an evening of lieder? And how many, having done so, would deliver so generous and self-effacing a performance?

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Classical CDs Weekly: Bach, Alison Balsom, Steven Osborne

graham Rickson


Bach: Goldberg Variations Bassoon Consort Frankfurt (MDG)

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Stravinsky: Myths & Rituals, Philharmonia, Salonen, St John’s Smith Square

Bernard Hughes

I had been looking forward to last night's concert since it was first announced over a year ago. For a Stravinsky nut the chance to hear pieces whose live performances are vanishingly rare was not one to be missed. And it turns out there are enough other fans of austere late Stravinsky to sell out St John’s Smith Square, which proved a very suitable venue for this programme.

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CBSO, McGegan, Symphony Hall Birmingham

Richard Bratby

“Our Shakespeare” is the name of the CBSO’s current season. They're making the same point that Ben Elton makes slightly less subtly in Upstart Crow: that Shakespeare was basically a Brummie. And by implication, that four centuries of musical Bardolatory, from Purcell’s The Fairy Queen to Verdi’s Falstaff, is all on some level Made in Birmingham.

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