tue 30/09/2025

Classical Reviews

East Neuk Festival 2016

David Nice

All the best festivals develop organically, with a guiding hand from the best directors. When I first came to the East Neuk Festival two years ago, on its 10th anniversary, it was already a special case, thriving on the spirit of place and including an all-day Schubertiad from top international artists, many of whom were returning because they loved this special peninsula of the Fife coast so much.

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Classical CDs Weekly: Scriabin, Stockhausen, Choir of King's College Aberdeen, Radek Baborák

graham Rickson


Scriabin and Stockhausen: Light Vanessa Benelli Mosell (Decca)

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Classical CDs Weekly: Aukai, Mahler, Shostakovich

graham Rickson


Aukai Markus Seiber (Aukai Music)

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Hallé Children’s Choir and Orchestra, Elder, Bridgewater Hall, Manchester

Robert Beale

’Tis the season for big children’s choirs to show off their end-of-season projects, and the Hallé Children’s Choir and Orchestra had something exceptional to present under Sir Mark Elder’s baton on Sunday afternoon: the world premiere of Jonathan Dove’s A Brief History of Creation.

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Catalogue d'Oiseaux, Aimard, Aldeburgh Festival

David Nice

"He is one of the few pianists who will not make them sound like angry birds," said young pianist-animateur Víkingur Ólafsson in Reykjavík when I told him that in little over 24 hours' time I'd be hearing Pierre-Laurent Aimard work his way through Messiaen's Catalogue d'Oiseaux at dawn, in the afternoon and evening and close to midnight at the Aldeburgh Festival.

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Murray Perahia, Barbican

Sebastian Scotney

A couple of hours of certainty really were very welcome during referendum week, and Murray Perahia did indeed bring clarity, poise, and an unquestioned masterpiece – Beethoven's Hammerklavier Sonata – to a full Barbican Hall last night. And not a single note of music written after 1893.

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Cottier Chamber Project 2016, Glasgow

David Kettle

It should have been a complete disaster. Not announcing your festival’s programme until barely a week before it started ought to have guaranteed that nobody knew about it – no press, no audiences, other plans made, other things booked.

But still they came. It’s testament to the Cottier Chamber Project’s now firmly established place in Scotland’s summer musical life – this is its sixth year – that even keeping audiences in the dark as to what was planned didn’t deter them.

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Classical CDs Weekly: Beshevli, Gershwin, Gilbert & Sullivan

graham Rickson


Ilya Beshevli: Wanderer (Village Green)

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Multi-Story Orchestra, Stark, Spitalfields Music Summer Festival

Helen Wallace

Crazy-faced space-hopper, playmobil fireman, marble run: toys from my own childhood, staring at me now from out of glass cases, alongside an 18th century marionette, thread-bare rocking horses and a headless Georgian doll. This concert in the Museum of Childhood could have been a wallow in nostalgia. Instead, with their usual brand of ingenuity, the Multi-Story Orchestra kindled musical artefacts into vibrant life.

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Illuminations, Tynan, Aurora Orchestra, Collon, Snape Maltings

Helen Wallace

Nothing galvanises an audience quite like physical risk. As soprano Sarah Tynan rose on a hoop into the darkness, intoning the final words of "Départ" from Britten's song cycle Les Illuminations, you could almost hear her heart race. Beneath, a troupe of circus performers held the rope – and her life – in their hands.

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