Classical Reviews
Missa Solemnis, SCO, Ticciati, Usher Hall, EdinburghSunday, 30 August 2015
This was a performance laden with contradictions. After last weekend’s gargantuan Grande Messe des Morts, the standard issue Edinburgh Festival Chorus seemed much smaller – but not really small enough. The Scottish Chamber Orchestra was in its augmented format, almost up to symphony orchestra size, but playing in its increasingly popular authentic style with very little vibrato and the crunchy sound of natural brass instruments. Read more...
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Prom 57: Pires, COE, HaitinkSaturday, 29 August 2015
It’s hardly surprising that at the grand old age of 86 Bernard Haitink can pack them in at the Albert Hall so that there’s no room left in the Arena and those still queueing 10 minutes before the concert have to go up to the Gallery. But he was also doing it back in 1978, when I went to hear my first Mahler “Resurrection” and found myself too late in the queue for the best standing-place in the hall, stuck in the rafters for the one and only time (never again). Read more... |
Classical CDs Weekly: Hugi Guðmundsson, Schubert, Les SièclesSaturday, 29 August 2015
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Prom 55: SWR SO Baden-Baden and Freiburg, RothThursday, 27 August 2015
The only reasonable explanation for the all too belated arrival at the Proms of the SWR Baden-Baden and Freiburg Orchestra is that the festival’s house band, the BBC Symphony, is the one other ensemble reasonably entitled to claim the title of best orchestra for new music in the world. They came with a programme of Boulez, Ligeti and Bartók, 20th century classics all, and well-tailored to their talents. Too little, too late, as it turned out, but what an evening they gave us. Read more... |
Prom Chamber Music 6: Jeremy Denk/ Prom 53: Fray, Philharmonia, SalonenTuesday, 25 August 2015
There were two reasons why I didn’t return to the Albert Hall late on Friday night to hear Andras Schiff play Bach’s Goldberg Variations. The first was that one epic, Mahler’s Sixth in the stunning performance by Andris Nelsons and the Boston Symphony Orchestra, needed properly digesting. Read more... |
Bach Hours: The Orgelbüchlein Project, St Giles Cathedral, EdinburghTuesday, 25 August 2015
When Bach set out in 1713 to write his Orgelbüchlein, or “little organ book”, he listed the titles of the 164 chorales that he wished to include in what was to be a compendium of organ preludes for use throughout the church year. In the event, he completed only 46, leaving 118 so-called “ghost” chorales, each with a given text and (in most cases) a melody – often an old Lutheran hymn tune. Read more... |
Prom 51: Boston SO, NelsonsMonday, 24 August 2015
Andris Nelsons and the Boston Symphony Orchestra have made the Shostakovich Tenth their calling card. Their recent recording of the work on Deutsche Grammophon has received universal acclaim, and now they're making their first European tour together, performing the symphony in London, Salzburg, Lucerne and Paris. It’s a great choice, a work that plays to all their strengths, conductor and orchestra alike. Read more... |
Prom 49: Hardenberger, Boston SO, NelsonsSunday, 23 August 2015
So here he was in town with his top American team, the already great conductor whose premature departure from Birmingham has left the players in mourning, unable to choose a successor yet, and whose insistence that it was too early to take up the coveted post of the Berlin Phil’s Principal Conductor blocked what should have been an obvious choice. Read more... |
Colin Currie and Friends, Queen's Hall, EdinburghSunday, 23 August 2015
Two percussionists, two pianists, Adams, Reich and Bartók: Colin Currie and friends’ bracing morning recital at the Edinburgh International Festival made quite a pleasing change from the more traditional string quartets and vocal recitals elsewhere in the Queen’s Hall chamber programme. And it attracted quite a different audience, too – including many clearly there for the broader Edinburgh festival, unsure of what exactly they’d let themselves in for. Read more... |
Grande Messe des Morts, Philharmonia, Salonen, Usher Hall, EdinburghSunday, 23 August 2015
It's fitting that for its 50th anniversary the Edinburgh Festival Chorus should perform Berlioz’s gigantic Grande Messe des Morts. There is nothing in the large-scale orchestral repertoire in which the chorus plays so huge and significant a role – it sings throughout and the only soloist that Berlioz admits is a solitary tenor whose appearance in the "Sanctus" is almost apologetic. Read more... |
Hugi Guðmundsson: Calm of the Deep The Hamrahlíd Choir/Þorgerður Ingólfsdóttir, Nordic Affect/Guðni Franzson (Smekkleysa)Pages
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