Classical Reviews
Stile Antico, Wigmore HallSunday, 29 November 2015
There are 12 of them, standing in a semi-circle. No conductor in sight. Instead they start singing by striking some invisible match. Immediately the hall is blazing with heat, light, and the ecstatic sounds of Tudor polyphony. Read more... |
MacMillan's Since it was the day of preparation..., EdinburghSaturday, 28 November 2015
James MacMillan’s sacred drama Since it was the day of preparation… got its first outing at the Edinburgh International Festival back in 2012. But it was an entirely different experience hearing it in a cavernous Edinburgh cathedral on a chilly November evening – in a welcome re-performance from co-commissioners the Hebrides Ensemble plus Synergy Vocals – to catching it amid the city’s August festival mayhem. Read more... |
Piano Circus, Juice Vocal Ensemble, Kings PlaceFriday, 27 November 2015
It is not surprising that Piano Circus rarely play on six real pianos (although the photo on last night’s programme cover shows just that). The expense, the stage space required and the logistical complexity all militate against it. Read more... |
Leonskaja 70th Birthday Concert, Wigmore HallMonday, 23 November 2015
It was a massive but never overbearing three-parter, a three-and-a-half hour celebration, a mini-festival of youth and experience. Wouldn’t we all want to mark a major birthday in the company of friends of all ages? Read more... |
Escaich, RSNO, Märkl, Usher Hall, EdinburghSunday, 22 November 2015
It does not seem like 12 years since the organ in the Usher Hall was restored to full working order. That may be because, in the minds of many Edinburghers, the recent years of untroubled service are still eclipsed by the many decades in which Norman and Beard’s monumental instrument sat silent, reproaching the City Fathers for their parsimony. Read more... |
Classical CDs Weekly: Dvořak, Janáček, Schoenberg, Igor LevitSaturday, 21 November 2015
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In The Sky I Am Walking, Greengrassi GallerySaturday, 21 November 2015
Howard Blake fans, look away now. Am Himmel wandere Ich isn’t a back translation of the hit song from The Snowman. Though the Marxist-Adornist supporters of the party line at Darmstadt’s summer course of 1971 could hardly have thought less of Stockhausen’s song cycle when they heard it and then circulated a dismissive pamphlet. ‘Saint Stockhausen’, they called him. Read more... |
Coles, Philharmonia, Järvi, RFHFriday, 20 November 2015
Great Estonian Neeme Järvi’s two conducting sons have had varying success in London this week. Kristjan did what he could with a dog’s dinner of a Britten Sinfonia programme on Wednesday night, while older brother Paavo presumably chose the three surefire masterpieces in his Philharmonia concert yesterday evening. The climax was Nielsen’s Fifth Symphony, one of the greatest of the 20th century; certainly there’s none to cap its sheer physicality. Read more... |
Gomez, Osborne, Britten Sinfonia, Järvi, Milton CourtThursday, 19 November 2015
Don’t blame the players: they did their considerable best. But what could they hope to achieve with a programme in which six of the seven pieces were on a hiding to nowhere, or too short to have much of an impact? A sequence, what's more, in which platform rearrangements took longer than two of the pieces in the first half? Read more... |
BCMG, Knussen, CBSO Centre BirminghamMonday, 16 November 2015
“The first section, following a short introduction, places a rhythmic sequence on its retrograde. The two layers are transposed independently (one going up, the other down) as the music progresses, and points of symmetry are highlighted when they occur”. No, me neither. Apparently Patrick Brennan’s Polly Roe also features a brief rhythmic quotation from Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum. More erudite ears may have been able to detect it. Read more... |
Janáček: Sinfonietta, Dvořak: Symphony No.9 Anima Eterna Brugge/Jos van Immerseel (Alpha Classics)Pages
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