Classical Reviews
Ohlsson, LPO, Alsop, Royal Festival HallSaturday, 23 February 2013
The Southbank Centre’s The Rest is Noise Festival has reached the American leg of its year-long tour through 20th century music, and with it safe musical ground. In the second of three concerts with the LPO, American conductor Marin Alsop showcased the two equally appealing sides of America’s musical history: its cleanly-scrubbed, western classical face in Copland and Ives, and the grubbier, jazz-infused gestures of Joplin and Gershwin. Read more...
|
Gabetta, Philharmonia Orchestra, Ashkenazy, Royal Festival HallFriday, 22 February 2013
Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in his Fourth Symphony when Stalin branded him a renegade but which later became a kind of defiant titter trailing to eternity in his fifteenth and last symphony. Read more... |
Vengerov, Golan, Barbican HallThursday, 21 February 2013
Maxim Vengerov’s four-year absence from the London stage is recent enough that any performance by him has the added value of having been clawed back from a jealous god. That a violinist of such explosive talent could have been permanently silenced by something as mundane as an injury sustained in the gym is barely thinkable, though the possibility seemed very real in the hinter years between 2008 and 2012. Read more... |
Gerstein, Philharmonia Orchestra, Gardner, Royal Festival HallMonday, 18 February 2013
You don’t have to live under a totalitarian regime to write music of profound anguish. I was driven to argue the point at a Shostakovich symposium when an audience quizzer took issue with my assertion that Britten could go just as deep as the Russian. Read more... |
Pires, LSO, Haitink, Barbican HallWednesday, 13 February 2013
It’s not that Bernard Haitink’s tempos are universally slow, it’s just that they often feel that way. When it works the music can be magisterial, immense, but when it doesn’t you find yourself chafing against such unyielding allegiance to restraint. Read more... |
The Sound and the Fury, BBC FourTuesday, 12 February 2013
As Julian Lloyd Webber combatively suggests of certain strands of 20th-century music: “Let’s make a noise no one likes. Read more... |
Die Meistersinger Act Three, Hallé, Elder, Bridgewater Hall, ManchesterMonday, 11 February 2013
The “Mastersingers of Manchester”, about 350 of them, were gathered together by Sir Mark Elder to celebrate the Wagner bicentenary with this performance of Act Three of Die Meistersinger von Nürnberg in its entirety. He also pulled in about 200 orchestral musicians, exploiting the city’s resources just about to the limit. Read more... |
Alexander Nevsky, BBC Symphony Orchestra and Chorus, Brabbins, Barbican HallSunday, 10 February 2013
Is Prokofiev’s 1938 score for Alexander Nevsky the greatest film music ever written? Not quite, if only for the fact that Sergei Eisenstein’s second sound-picture glorifying historical role models for the ever more tsar-like Stalin, Ivan the Terrible, is darker and more richly textured, and the music’s greater breadth reflects that. Read more... |
Joyce DiDonato, Il Complesso Barocco, Barbican HallThursday, 07 February 2013
It may look like a sure-fire hit to let Kansas mezzo Joyce DiDonato rip through the drama-queen repertoire of the Baroque. But last night’s exploration of the dustiest, most overgrown byways of 17th and 18th century Italian opera needed every drop of DiDonato’s star musical talents – not to mention those of her backing band Il Complesso Barocco – to convince us of the worth of these rarities. The audience bought it. I remain on the fence. Read more... |
Total Immersion: Sounds from Japan, BarbicanMonday, 04 February 2013
“Improvisation? That?” whispered a Japanese lady to her friend at the end of the afternoon concert. She was making a good point. Half the performers in this programmed jam were glued to their scores. It was the low point of a mixed day at the Barbican Centre that began with a very enticing premise of offering to immerse us in the “Sounds from Japan”. We barely dipped our toe. The problem wasn’t simply the variability of the music; it was also the laziness of the curatorial thinking. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...
Liepe, National Youth Orchestra of Ireland, NCH, Dublin revi...
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...
Music Reissues Weekly: American Baroque - Chamber Pop and Be...
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...
Nickel Boys review - a soulful experiment
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black...
Lockerbie: A Search for Truth, Sky Atlantic review - Colin F...
The destruction of Pan Am flight 103 over Lockerbie on 21 December 1988 was one of the ghastliest events in what would become known as the War on...
Albums of the Year 2024: The Last Dinner Party - Prelude to...
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the...
Davis, National Symphony Orchestra, Maloney, National Concer...
In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in...
Albums of the Year 2024: Mk.gee - Two Star and the Dream Pol...
Mk.gee has been an unexpected thread in a year of music that’s pulled me in many different directions, punctuating the need for unique, sonically...