Classical Reviews
Royal Northern Sinfonia, Zehetmair, The Sage GatesheadMonday, 30 September 2013
It’s the Royal Northern Sinfonia now, the Queen having bestowed the prefix earlier this year. Programming two Requiem settings in the opening concert of their 2013-14 season seemed on paper a little strange, but the main work was Brahms’s A German Requiem, one of the more upbeat, if unconventional works to bear the title. Read more... |
Hough, BBC Philharmonic, Mena, Bridgewater Hall, ManchesterSunday, 29 September 2013
They did it, and continue to do it, their way. Under the self-confident title of The Mancunian Way, the BBC Philharmonic’s new season aims to celebrate the story of music-making in the city through works, composers and performers with special links to Manchester. There is much to celebrate, not least nowadays the spirit of collaboration between the musical strongholds in the city, where it is entirely possible to carve out a total career from childhood to professional fulfilment. Read more... |
Classical CDs Weekly: Elgar, Prokofiev, Deutsche MotetteSaturday, 28 September 2013
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Milton Court Opening, GSMDFriday, 27 September 2013
Night life in the Square Mile, at least from the perspective of my evening routes around the Barbican, is dominated by booze and sportiness. The way to last Thursday’s concert was blocked by a Bloomberg relay marathon, and cycling through the tunnel towards Milton Court yesterday evening, I encountered the bizarre spectacle of carnival-style trucks pedalled by a dozen drinkers apiece, sitting at a central "bar" and already well oiled. Read more... |
Philharmonia Orchestra, Salonen, Royal Festival HallFriday, 27 September 2013
“Lighting design”. Are there two more terrifying words to find in a concert booklet? Since I last went to a normal concert, it seems that the lunacy that is the tradition of bathing audience and stage in as much light as possible as if we were some kind of site of forensic investigation or a harvest of hash has been replaced - at least for symphonic dramas like Berlioz’s Romeo et Juliette - by its twin pole of idiocy: lighting design (capital L, capital D). Read more... |
Annette Dasch, Julius Drake, Middle Temple HallTuesday, 24 September 2013
This was the first of the ten concerts in the Temple Music Society's autumn/winter season. The Society uses two venues right in the heart of London, Temple Church and, as last night, Middle Temple Hall, most famous as the site of the first performance of Twelfth Night in 1602. Read more... |
Uchida, London Symphony Orchestra, Ticciati, BarbicanFriday, 20 September 2013
Rumour machines have been thrumming to the tune of “Rattle as next LSO Principal Conductor”. Sir Simon would, it’s true, be as good for generating publicity as the current incumbent, the ever more alarming Valery Gergiev. Read more... |
Kings Place FestivalTuesday, 17 September 2013
Hungarian composer Bela Bartók’s analytical rigour and folk-inspired voice have established his position as one of the most original voices of the twentieth century, but he still represented a bold choice for the opening event of the 2013 Kings Place Festival. Read more... |
Classical CDs Weekly: Britten, Vaughan Williams, SuperbrassSaturday, 14 September 2013
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Sound of Cinema: The Music that Made the Movies, BBC FourFriday, 13 September 2013
BBC Four’s new series Sound of Cinema: The Music that Made the Movies is shocking. The overwhelming majority of arts-based TV consists of programmes consigning specialist knowledge/presenters to the sidelines in favour of dumbed-down, easily digestible generalisations mouthed by all-purpose TV-friendly faces. But this three-part series is fronted by, gasp, a composer who uses insider knowledge to hook and hold the viewers. Read more... |
Elgar: Enigma Variations, Rehearsal documentary BBC Symphony Orchestra/Leonard Bernstein (ICA Classics DVD)
Britten: Peter Grimes Alan Oke, Giselle Allen, Britten-Pears Orchestra, Chorus of Opera North/Steuart Bedford (Signum)Pages
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