tue 14/05/2024

Classical Reviews

Last Train to Tomorrow, Hallé, Davis, Bridgewater Hall, Manchester

philip Radcliffe

The exceptionally moving and heartwarming story of more than 10,000 mostly Jewish children being brought to the safe haven of these shores between December 1938 and September 1939 to rescue them from being victims of the Holocaust, Kindertransport, has oft been told. But now we hear it afresh through the voices of children in a dramatised re-telling.

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Classical CDs Weekly: Mark Padmore, Lutosławski, Bartók, Denner Ensemble

graham Rickson

 

Britten: Serenade for tenor, horn and strings; Nocturne; Finzi: Dies Natalis Mark Padmore, Britten Sinfonia/Jacqueline Shave, with Stephen Bell (horn) (Harmonia Mundi)

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Aimard, Orchestra of the Age of Enlightenment, Rattle, Royal Festival Hall

Igor Toronyi-Lalic

The repertoire of the OAE is creeping away from the 18th century and into the 20th with such unashamed eagerness, it wouldn't be at all surprising to see them throwing up an urtext edition of "Hit Me Baby One More Time" in a few seasons. Last night, we got 20th-century French impressionism, including a work that was premiered in 1933. Some might call this expansion into the las

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Maxwell Davies Ninth Symphony, RLPO, Petrenko, Philharmonic Hall, Liverpool

Glyn Môn Hughes

The new Ninth Symphony, from the pen of Sir Peter Maxwell Davies, is something of a paradox.  It was commissioned by the Royal Liverpool Philharmonic and the Helskinki Philharmonic Orchestra and is dedicated to the Queen on the occasion of her Diamond Jubilee. And yet it is a round condemnation of the nation’s interventions – called "disastrous" by the composer in his programme notes – in Iraq and Afghanistan.

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Classical CDs Weekly: Bach, Melton Tuba Quartett, OperaBabes

graham Rickson

 

Bach: Brandenburg Concertos, Sinfonias Orchestra of the Antipodes/Antony Walker, Anna MacDonald, Erin Helyard (ABC Classics)

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Amsterdam Baroque Orchestra, Koopman, Christ Church Spitalfields

alexandra Coghlan

It’s one thing for UK Border Control to turn Heathrow’s Arrivals into a giant theme-park queue, but it’s quite another when they start messing with our music. Paperwork issues yesterday saw one Japanese and two Korean members of the Amsterdam Baroque Orchestra denied entry to the UK, leaving Ton Koopman and his band too under-staffed to attempt their planned Brandenburg Concerto.

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Murray Perahia, Barbican Hall

Ismene Brown

What an era for pianists it was in the four decades from 1800 to 1840, the era covered by Murray Perahia’s recital last night. Beethoven, Schumann, Schubert and Chopin all in full verdant flight, selected for a programme of much fantasy and dancing rhythms, in which the translucent, crystalline playing of the American found and told multiple stories.

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Classical CDs Weekly: Michael Finnissy, Joel Frederiksen, Tine Thing Helseth

graham Rickson

 

Michael Finnissy: Second & Third String Quartets Kreutzer Quartet (NMC)

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London Symphony Orchestra, Tilson Thomas, Barbican Hall

Daniel Ross

Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a spoiler. It was nice to know exactly which themes are attributed to which dedicatee, but you couldn’t help but feel the surprises in the work have been somewhat spiked by this little lecture.

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Knussen Sixtieth Birthday, CBSO Centre, Birmingham

stephen Walsh

Ask any young composer in this country who is the most important figure in modern British music, and the answer is likely to come back quick and sharp: Oliver Knussen.

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