Classical Reviews

Richard Goode, Royal Festival Hall (2012)

Igor Toronyi-Lalic Monday, 13 February 2012

You couldn't imagine a less likely acrobat than avuncular American Richard Goode. But when it comes to the piano, there's no mistaking it. A nippy little tumbler he undoubtedly is. Today we saw his fingers bounce about the keyboard like a troupe of prepubescent Romanian gymnasts. The sleepy Sunday concert that many had clearly hoped for was not going to be the narrative of this kinetic performance.

Hough, London Philharmonic Orchestra, Alsop, Royal Festival Hall

Igor Toronyi-Lalic Thursday, 09 February 2012

Poor old Stephen Hough. The Liszt double. Again! Was he not at all Liszted out after last year's epic bicentenary? Were we not Liszted out by last year's epic bicentenary? Hough has been living, breathing and eating these two pieces for the past year and a half. The familiarity might have bred contempt. Amazingly it hasn't. In fact, all the prep work of last year appeared to make this performance of the first two piano concertos one of the most satisfying I've heard.

Hughes, BBC Philharmonic, Gruber, Bridgewater Hall, Manchester

philip Radcliffe Saturday, 04 February 2012

“The north wind doth blow and we shall have snow.” And how! The BBC Phil’s composer/conductor H K “Nali” Gruber could not have timed the UK premiere of his Northwind Pictures better. We were ready targets for his shattering evocation of the wind with every device at the percussionists’ disposal and a large hand-cranked wind machine. The boys in the back row had a great night out.

Jansen, London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

Geoff Brown Thursday, 02 February 2012

At last, a bag of sweets! In earlier concerts from Vladimir Jurowski’s LPO series Prokofiev: Man of the People? much time was spent consuming the composer’s flat soufflés, experimental rock cakes, or the fancy dish that was really haddock. Interesting for the brain, maybe, but the diet on occasion has been hard on the stomach. Not that any of this impinged on audience numbers: the season has definitely proved Jurowski’s happy lock on the London Philharmonic’s audiences.

Kavakos, Ax, Wigmore Hall

alexandra Coghlan Thursday, 02 February 2012

The roar with which Leonidas Kavakos and Emanuel Ax dispatched Beethoven’s mighty Op. 30 C minor Violin Sonata – flinging off the writhing semiquaver coils of the Finale with desperate vigour – was enough to remind anyone in the Wigmore Hall last night of the serious talent of this Greek violinist. It was not however quite enough to banish the memory of the evening’s whimpering start – the ragged gesture in the general direction of the Violin Sonata in A Op. 12 No.

Fleisher, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

alexandra Coghlan Thursday, 26 January 2012

The London Philharmonic’s current festival – Prokofiev: Man of the People? – is all about the question mark. While the festival’s concerts, lectures and even its classical club-night each make their own statement, the overarching spirit here is one of exploration, of questioning. Jurowski and his orchestra are peeling back the composer’s grinning modernist mask and attempting to expose the human face (or possibly faces) behind it.

Comment

Blaumane, Royal College of Music Symphony Orchestra, Jurowski, Royal College of Music

Geoff Brown Sunday, 22 January 2012

How do you solve a problem like Prokofiev? Not with a TV talent hunt promoted by Andrew Lloyd Webber. Not even, I’m beginning to think, with the current London Philharmonic concert series, Prokofiev: Man of the People?, devised by Vladimir Jurowski.

Spence, London Symphony Orchestra, Adès, Barbican Hall

alexandra Coghlan Monday, 16 January 2012

Last Tuesday night saw the London Symphony Orchestra celebrating 20^th century English music under the baton of Antonio Pappano, launching proceedings with a stylish (and more than a little sexy) rendition of the dance suite from Thomas Adès’ Powder Her Face.

Dido and Aeneas/ Actéon, Wigmore Hall

alexandra Coghlan Friday, 13 January 2012

The Wigmore Hall staged its own Entente Cordiale last night with an operatic double bill bridging both sides of the Channel.

2011: Reality 1, Art 0

Igor Toronyi-Lalic Monday, 02 January 2012

We laughed. We cried. We cursed. We gulped. Not at fiction. But at fact. At the real world. The year's best theatre? Murdoch vs Watson. Thriller? The hunt for Osama. Horror?