thu 21/08/2025

Classical Reviews

Bach St John Passion, Academy of Ancient Music, Egarr, Barbican Hall

David Nice

A Leipzig church is surely the place we’d most like to be for Bach on Good Friday. Never mind: the Barbican Hall is kinder to the best period instrument ensembles than it is to big symphony orchestras. Better still, having sat stunned and weepy for a good few minutes at the end of this performance, I’m happy to evangelise and proclaim that no better team could be assembled anywhere for the original 1724 version of this world-changing musical Passion.

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Classical CDs Weekly: Britten, Billy Mayerl, Prokofiev

graham Rickson

 

Britten: Billy Budd John Mark Ainsley, Jacques Imbraillo, Matthew Rose, Philip Ens, Glyndebourne Chorus, London Philharmonic Orchestra/Sir Mark Elder (Glyndebourne)

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BBC Concert Orchestra, Nu Civilisation Orchestra, Lockhart, Queen Elizabeth Hall

Geoff Brown

Any conductor who ends a concert with only one leg on the ground, as if engaged in the Highland fling, is either a little fanciful or has been utterly carried away. In Keith Lockhart’s case last night, it was probably a bit of both. No-one can take charge of Duke Ellington’s big band tone poem Harlem by impersonating a lamp-post, especially at its roaring end, the epitome of jubilation in sound.

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Los Angeles Philharmonic, Dudamel, Barbican Hall

Igor Toronyi-Lalic

Zipangu. What a name for a piece of music. Such a strange and suggestive collection of vowels and consonants. Such a musical string of sounds. A fascinating name. The name, in fact, the programme told me, for Japan during the time of Marco Polo. The life of the composer of the work, Claude Vivier, is fascinating, too, in a grisly way. While completing an opera about a young man who stabs a stranger to death, Vivier was murdered in his Paris flat by a rent boy.

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The Gospel According to the Other Mary, Los Angeles Philharmonic, Dudamel, Barbican Hall

David Nice

“I do not believe in miracles,” scoffs Herodias in Oscar Wilde’s -  and Richard Strauss’s - Salome. “I have seen too many.” I know how she feels.

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Pereira, LA Phil New Music Group, Dudamel, Adams, Barbican Hall

Igor Toronyi-Lalic

For finding new popes as much as for hunting down new music, looking to the ends of the earth seems a fruitful route to take. Last night saw the start of the Los Angeles Philharmonic's Barbican residency with their principal conductor, Gustavo Dudamel. And with them, they brought the latest music from the Pacific rim, all of it quite surprising.

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BBC Philharmonic, Gruber, Bridgewater Hall, Manchester

philip Radcliffe

What Manchester has today, Vienna will have tomorrow. The BBC Phil’s composer/conductor HK “Nali” Gruber is taking his musicians and singers back home to the Wiener Konzerthaus to reprise this concert next week. You can’t fault it for variety – Stravinsky, Britten and MacMillan, Gruber’s predecessor as composer/conductor here. But the main thrust is celebrating Stravinsky. It is the centenary of The Rite of Spring.

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Classical CDs Weekly: Bach, Turina, Eleni Karaindrou

graham Rickson

 

Bach: Harpsichord Concertos Retrospect Ensemble/Matthew Halls (harpsichord and director) (Linn)

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Mørk, Philharmonia Orchestra, Salonen, Royal Festival Hall

David Nice

Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a specially comfortless rabbit warren in his later works. On the other hand his Concerto for Orchestra, begun two decades earlier in 1950, proved its mettle as a serious audience-pleaser.

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The Tallis Scholars, St Paul's Cathedral

Roderic Dunnett

In November 1973 a 20-year-old music scholar from St. John’s College, Oxford conducted the first ever concert by the newly founded Tallis Scholars, in St. Mary Magdalen, Oxford. Anyone who was there might have sensed that a new era was beginning. David Munrow was still alive: the period instrument revolution was just taking off.

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