tue 23/04/2024

Classical Reviews

The Spirit of Schubert: Hughes, BBC Philharmonic, Mena, Media City UK, Salford

philip Radcliffe

Hurry! Hurry! Hurry! Only the last umpteen hours left of BBC Radio 3’s The Spirit of Schubert marathon. After some 200 hours of broadcasting to mark the 215th anniversary of his birth, Franz can perhaps be left to rest easy for a while. The poor chap has been scrutinised, analysed and turned inside out this week.

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War Requiem, Philharmonia Orchestra, Maazel, Royal Festival Hall

alexandra Coghlan

In this, the work’s 50th anniversary year, there will be a lot of War Requiems. Benjamin Britten’s howl of Pacifist conviction has lost little of its poignancy since its composition – a period marked by the almost continuous military presence of British forces abroad.

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Vengerov, St Petersburg Philharmonic Orchestra, Temirkanov, Barbican Hall

Geoff Brown

Originally, this concert was to open with that mercurial wonder Martha Argerich playing an unspecified piano concerto. Then its first item became Martha Argerich not playing anything, for the good lady, almost as rare a visitor to Britain as the Man in the Moon, did what she’s famous for doing. She cancelled. Acting with award-winning panache, the Barbican then found a substitute artist who’s recently become even rarer, the violinist Maxim Vengerov. 

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AUKSO Chamber Orchestra, Penderecki, Barbican Hall

Igor Toronyi-Lalic

I don't much like aspirational music-making. I like my classical classical and my pop pop. Give me Boulez over Bernstein, Britney over Radiohead, any day. Having said that, I'd heard a piece by Jonny Greenwood at Reverb last month that had gone some way to winning me over. For a brief moment, Greenwood dropped the avant-garde pose that he's adopted for most of his other classical compositions and indulged in a bit of tender-hearted Romanticism that was nothing if not charming.

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Kaufmann, CBSO, Nelsons, Symphony Hall, Birmingham

Igor Toronyi-Lalic

There was a lovely narrative to last night's CBSO concert.

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Maurizio Pollini, Royal Festival Hall

Geoff Brown

Their bicentennial years may have been and gone, but even Mazeppa’s wild horse wouldn’t be able to stop the world’s top pianists playing Chopin and Liszt almost every month. Last night Maurizio Pollini and his aristocratic art returned to the Royal Festival Hall for a recital featuring both composers, each on either side of the interval.

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AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The Roundhouse

Igor Toronyi-Lalic

It's often more fun on the margins. The pickings are richer. The view is clearer. You can take aim easier. The AV Festival has spent more than eight years here, on the counter-cultural edges, delving into the divisional cracks between art, music and film.

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Evgeny Kissin, Barbican Hall

Geoff Brown

For more than 10 years now I have been waiting in vain for the pianist Evgeny Kissin to shatter the stereotyped image built around him by music critics who haven’t always liked what they’ve heard.

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Lindberg, Cowen, RLPO, Philharmonic Hall, Liverpool

Glyn Môn Hughes

There’s always a bit of a buzz around a premiere, even one which may seem slightly off-the-wall. Jan Sandström’s Echoes of Eternity is a concerto for two solo trombones – unusual in itself, given that there are precious few concerti for just one solo trombone – and symphony orchestra. Add to that the fact that one of the soloists is also the conductor and it’s easy to see that this piece is beginning to get complicated.

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Bell, LPO, Jurowski, Royal Festival Hall

alexandra Coghlan

Despite the best attempts of Stephen Johnson’s programme notes to create synthesis from last night’s London Philharmonic Orchestra concert, there was something rather smash and grab about the programming. It was as though Jurowski, suddenly inspired to play classical Supermarket Sweep, had emerged with a disparate trolley-load of Zemlinsky, Mozart and Szymanowski – oh, and the Brahms Violin Concerto.

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