Classical Reviews
London 2012 and Beyond: The Best of 2012Monday, 31 December 2012
The Mayan calendar recently suggested it was all over. It is now, almost. 2012 was, by anyone’s lights, an annus mirabilis for culture on these shores. The world came to the United Kingdom, and the kingdom was indeed more or less united by a genuine aura of inclusion. Clumps of funding were hurled in the general direction of the Cultural Olympiad, which became known as the London 2012 Festival, and all sorts leapt aboard. Read more... |
Messiah, Polyphony, OAE, Layton, St John's Smith SquareMonday, 24 December 2012
Messiahs of all kinds multiply at this time of year: the meek and the threadbare as well as the proud and polished. On the Sunday before Christmas, it was hard to choose between two potential archangels who could hardly fail given their respective pedigrees. It may have initially come down to a choice between single star soloists, soprano of the year Sophie Bevan at the Wigmore or flawless countertenor Iestyn Davies (pictured below by Marco Borggreve) at St John’s... Read more... |
Kavakos, Matsuev, London Symphony Orchestra, Gergiev, BarbicanThursday, 20 December 2012
Valery Gergiev’s exploration of the music of Karol Szymanowski is one of the most vitalising series mounted at the Barbican in recent years - to compare, say, with Sir Colin Davis’s Sibelius and Berlioz, Michael Tilson Thomas’s tributes to Leonard Bernstein, or Gergiev’s own Shostakovich and (increasingly) Prokofiev. Read more... |
London Symphony Orchestra, Gergiev, Barbican HallWednesday, 19 December 2012
Valery Gergiev is a human dynamo. Read more... |
Philip Glass, Koyaanisqatsi, Barbican HallSaturday, 15 December 2012
Philip Glass is sufficiently famous that his 75th Birthday celebrations have been going on all year (he was actually 75 in January) and the year saw two of the absolute highlights of his career presented at the Barbican. His first opera Einstein On The Beach and last night, the soundtrack to his first film score Koyaanisqatsi, performed alongside the film itself, with Glass on keyboards. Read more... |
Belshazzar, Les Arts Florissants, Barbican HallFriday, 14 December 2012
If you’ve ever wondered what a bad day at the office looked like for Handel then look no further than Belshazzar – an oratorio that positively demands heavenly intervention and possibly a bit of smiting. Read more... |
Bell, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 13 December 2012
Why so much of Vladimir Jurowski and the LPO on theartsdesk, you may ask, when other concerts pass unremarked? The answer is simple: quite apart from the immaculate preparation and the most elegant conducting style in the business, Jurowski programmes with an imagination matched by none of London’s other principal conductors – unless you like lots of Szymanowski served up by Gergiev with lumpy Brahms – and, more important, always finds connections. Read more... |
Renée Fleming, Barbican HallMonday, 10 December 2012
Say what you like about America, but it certainly knows how to turn out an opera diva. While the Russians and even Italians can be chilly and untouchable in their splendour, there’s a cultivated ease with the likes of Renée Fleming and Joyce DiDonato that allows a song recital to be both a relaxed conversation with an old friend and a piece of highly crafted technical showmanship. Read more... |
The Brook Street Band, de Bernières, Kennedy, Wigmore HallSaturday, 08 December 2012
What if Handel, after his death, descended to an eminently civilised afterlife, where he spent his time making music and new friends with the likes of Beethoven and even Jimi Hendrix? That’s the premise of Louis de Bernières’ new play Mr Handel, a show that brings the author himself together with baroque chamber group The Brook Street Band and soprano Nicki Kennedy in a gentle meander through the life and works of baroque’s finest. Read more... |
Vengerov, London Symphony Orchestra, Ticciati, Barbican HallThursday, 06 December 2012
Her Majesty was making a rare concert-hall appearance to present the Queen’s Medal for Music, and any little Englanders in the audience might have been tempted to link royalty to Elgar’s Enigma Variations. But conductor Robin Ticciati, with a generosity and wisdom beyond his 29 years, raised this orchestral masterpiece to the universal level it deserves. Elgar’s "friends pictured within" trod air and revealed every aspect of their often shy, beautiful souls. Read more... |
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