Classical Reviews
Classical CDs Weekly: Mathias, Sibelius, Duo GazzanaSaturday, 19 November 2011
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Jansen, London Philharmonic, Vänskä, Royal Festival HallThursday, 17 November 2011
Noticed that nip in the air recently? The reason now is obvious: conductor Osmo Vänskä, the brisk wind from Minnesota, has blown into town, challenging London’s orchestral musicians to give beyond their best and uncover new layers in repertory works they previously assumed they knew backwards. |
Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican HallFriday, 11 November 2011
When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or Zemlinsky with Andersen’s The Little Mermaid, the saturated climax of the previous evening. Read more... |
Orchestre Révolutionnaire et Romantique, Gardiner, Queen Elizabeth HallThursday, 10 November 2011
We all know the question at issue last night at the Young Vic where Hamlet was opening, but down the road in the Queen Elizabeth Hall it was one of applause. Clapping between movements is a well-worn topic; we’ve had editorial, essays, even an RPS lecture devoted to the subject with no resolution in sight. Every year the Proms reminds us of the natural release a good clap can provide after a monumental first movement, and every year we return to our hands-clenched ways afterwards.... Read more... |
Davies, London Symphony Orchestra, Zhang, Barbican HallThursday, 10 November 2011
Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Read more... |
Classical CDs Weekly: Fauré, Mahler, Choir of Merton CollegeSaturday, 05 November 2011
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Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican HallSaturday, 05 November 2011
Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why the likes of Pierre Boulez felt forced to make their postwar musical revolutions so sweeping and so violent. |
Duke Bluebeard's Castle, Philharmonia Orchestra, Salonen, Royal Festival HallFriday, 04 November 2011
Sometimes the most disturbing images exist only in our imaginations - and so the questions posed in the preface to Bartók’s operatic masterpiece Duke Bluebeard’s Castle become especially pertinent: “Where did this happen - outside or within? Where is the stage - outside or within?” The answers, surely, lie “within”, making the prospect of a “semi-staged” climax to Esa-Pekka Salonen’s Philharmonia Bartók series, Infernal Dance, a potentially troubling one. Read more... |
Classical CDs Weekly: Dvořák, De Falla, Music Makes a City (DVD)Saturday, 29 October 2011
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Komsi, BBC Symphony Orchestra, Oramo, Barbican HallSaturday, 29 October 2011
With Riccardo Chailly's Leipzig Beethoven series well into its capacious stride, another cycle of symphonies keeping unusual company begins. This one featuring the BBC Symphony Orchestra will take longer and features six conductors, four of them known masters of their subject, chimerical Sibelius. Read more... |
William Mathias: Piano Concertos 1 & 2; Vaughan Williams: Fantasy for Piano and Orchestra Mark Bebbington (piano) Ulster Orchestra/George Vass (Somm)
Fauré: Requiem Chœur de l’Orchestre de Paris, Orchestre de Paris, Paavo Järvi, with Philippe Jaroussky (counter tenor), Matthias Goerne (baritone) (Virgin Classics)
Dvořák: Symphony No 9, Czech Suite, Two Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)Pages
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