mon 13/10/2025

Classical Reviews

BBC Proms: City of Birmingham Symphony Orchestra, Nelsons

Kimon Daltas

It is a rare treat for Londoners to have the CBSO with Andris Nelsons in town, and the Albert Hall was, if not fully sold out, then certainly well stocked. It would be fair to assume that the main draw was Shostakovich’s giant and much-debated Leningrad symphony after the interval; but first up was Glinka’s Ruslan and Lyudmila overture and the UK premiere of Emily Howard’s Calculus of the Nervous System.

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Classical CDs Weekly: Berlioz, Humperdinck, L'Olimpiade

graham Rickson

 

Berlioz: Symphonie Fantastique, Overture ‘Béatrice et Bénédict' Scottish Chamber Orchestra/Robin Ticciati (Linn)

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BBC Proms: BBC Scottish Symphony Orchestra, Manze

Geoff Brown

One chocolate bar, OK. But eating three in a row? Is that altogether wise? Some may feel the same about a concert containing three symphonies by Vaughan Williams: a third of his output in the form. Even the most committed lover of this visionary and still under-appreciated British composer might worry a little at the prospect, as we might at a heavy night of Beethoven or Brahms. Each symphony, to be sure, is coloured with different forms and emotions.

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BBC Proms: São Paulo Symphony Orchestra, Alsop

alexandra Coghlan

It may be the power of suggestion, but there was distinctly laid-back vibe at the packed Royal Albert Hall last night. Clapping between movements (and this was an audience never knowingly under-clapped) wasn’t greeted by the any of the usual hisses, and when a latecomer clattered down the entire length of stalls steps before the Largo of Dvořák’s Symphony No 9 she drew only the most indulgent of laughter.

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BBC Proms: National Youth Wind Orchestra and Brass Band/BBCSO, Saraste

Daniel Ross

Shamefully, the Albert Hall was just over half full for this impeccably programmed celebration of that most "youth" of ensemble types, the Wind Orchestra and Brass Band.

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BBC Proms: BBC National Orchestra of Wales, Fischer

Daniel Ross

On the one hand, having a massed brass and percussion section (I counted 16 timpani) in front of three massed choirs lent this evening an air of fantastic anticipation. Boom and crash and honk: that’s what we wanted. On the other hand, it was immediately a measure against which anything less than deafening volume would be harshly judged. All reminders of the potential clout were constantly there, embodied by bored-looking trombonists counting their hundred bars’ rest.

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BBC Proms: Hodges, Bickley, Daniel, Britten Sinfonia, Rundell

Geoff Brown

A motley crowd at Cadogan Hall on Saturday afternoon: new music aficionados and interested parties; general music lovers; some passing trade; tourists; one dad with a young boy of six or seven. Heaven knows what the latter made of the dissonances, dislocations and heated laments summoned forth by the intrepid performers in this invigorating concert, dominated by the creations of some of the more challenging composers among contemporary Brits.

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BBC Proms: The Apostles

alexandra Coghlan

The first panel in a would-be triptych, Elgar’s The Apostles is also something of a prototype – the musical experiment whose risks would culminate so strikingly in The Kingdom. Tackling the crucifixion from “the poor man’s point of view”, its occluded, obscured vision of events has atmosphere in abundance but a distinct lack of dramatic focus.

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Classical CDs Weekly: Messiaen, Saint-Saëns, Meraner Curmusik

graham Rickson

 

Messiaen: Turangalîla-Symphonie Steven Osborne (piano), Cynthia Millar (ondes martenot), Bergen Philharmonic Orchestra/Juanjo Mena (Hyperion)

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BBC Proms: A Celebration of Ivor Novello

alexandra Coghlan

Each year I wonder, as the hit-makers and Radio 1 darlings flock to the Ivor Novello Awards, how many spare a thought for that greatest of melodists, who lends his name to their accolades? Precious few, I suspect.

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