Classical Reviews
Classical CDs Weekly: Honegger, Paul Hillier, LiberaSaturday, 10 December 2011
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Anne Schwanewilms, Charles Spencer, Wigmore HallFriday, 09 December 2011
Now that Margaret Price is no more and Kiri's well past her heyday, whose is the most limpid soprano of them all? "The beautiful voice" was a label slapped by PR on Renée Fleming, but that fitfully engaging diva is all curdled artifice alongside Anne Schwanewilms, the German soprano who shines in Strauss and should be an example to any singer for ease, charm and what to do with the hands in the exposed light of song recital. Read more... |
Khatia Buniatishvili, Wigmore Hall/ Pierre-Laurent Aimard, Queen Elizabeth HallThursday, 08 December 2011
Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts. Read more... |
Louis Lortie, Wigmore HallMonday, 05 December 2011
It was Chopin time when I last heard Louis Lortie, and a typical London clash of scheduling allowed me to catch his effervescent Op 10 Études before pedalling like crazy north of the river for the second half of Elisabeth Leonskaja’s even bigger all-Chopin programme. Last night Lortie offered a comparably monumental homage to this year's bicentenary birthday boy Liszt in all his Italian-inspired variety, and there was no need to miss, or to wish to miss, a note. Read more... |
Classical CDs Weekly: Bartók, Tchaikovsky, Edwards, Sibelius, John WilsonSaturday, 03 December 2011
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Trpčeski, Australian Chamber Orchestra, Tognetti, Queen Elizabeth HallWednesday, 30 November 2011
A music broadcaster commented after last night’s concert by the Australian Chamber Orchestra that all the hype, all the talk about the surf-obsessed, free-spirited leader Richard Tognetti, had left her half expecting them to surf onto the stage of the Queen Elizabeth Hall. As they walked on however (decorously, and rather more smartly dressed than most English groups) we were reminded that there’s nothing gimmicky about this ensemble. Read more... |
Mutter, London Symphony Orchestra, Gergiev, Barbican HallMonday, 28 November 2011
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina. Read more... |
Classical CDs Weekly: Bach, Beethoven, Simon KeenlysideSaturday, 26 November 2011
Bach: Complete Keyboard Works Ivo Janssen (Void Classics) Read more... |
Anne Teresa De Keersmaeker & Jérôme Bel, 3Abschied, Sadler’s WellsTuesday, 22 November 2011
When the subject of funding for the arts arises, the phrase “allowed to fail” is frequently heard: artists must be enabled to try new things, press against the outer edges of what they know. Enter Anne Teresa De Keersmaeker and Jérôme Bel, two of contemporary dance’s thinkers. They have tried, and failed, to choreograph the final section of Mahler’s Das Lied von der Erde, and in that attempt, they have produced an extraordinary evening: the anatomy of a failure. Read more... |
Classical CDs Weekly: Mathias, Sibelius, Duo GazzanaSaturday, 19 November 2011
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Honegger: Une cantate de Noël, Pastorale d’été, Symphony No 4 London Philharmonic Orchestra and Choir, New London Childrens’ Choir/Jurowski (LPO)
Bartók: Violin Concerto No 2, Tchaikovsky: Violin Concerto Valeriy Sokolov Tonhalle-Orchester Zürich/David Zinman (Virgin)
William Mathias: Piano Concertos 1 & 2; Vaughan Williams: Fantasy for Piano and Orchestra Mark Bebbington (piano) Ulster Orchestra/George Vass (Somm)Pages
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