Classical Reviews
Classical CDs Weekly: Michael Finnissy, Joel Frederiksen, Tine Thing HelsethSaturday, 02 June 2012
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London Symphony Orchestra, Tilson Thomas, Barbican HallFriday, 01 June 2012
Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a spoiler. It was nice to know exactly which themes are attributed to which dedicatee, but you couldn’t help but feel the surprises in the work have been somewhat spiked by this little lecture. Read more... |
Knussen Sixtieth Birthday, CBSO Centre, BirminghamSaturday, 26 May 2012
Ask any young composer in this country who is the most important figure in modern British music, and the answer is likely to come back quick and sharp: Oliver Knussen. Read more... |
Classical CDs Weekly: Massenet, David Russell, WeinbergSaturday, 26 May 2012
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Delius: Composer, Lover, Enigma, BBC FourSaturday, 26 May 2012
Serious programmes about classical music are now virtually invisible on the major channels. There’s always BBC Two’s Maestro at the Opera, I hear you shout. Or something with that nice Gareth Malone. A good selection of Proms will be shown live on BBC Four, but with luck will scrupulously avoid the witless interviews with celebs in lieu of proper interval talks... Read more... |
Jessye Norman, Royal Festival HallTuesday, 22 May 2012
There comes a point in almost every great soprano’s career when she tells the world that Tosca, the Marschallin or Isolde be damned: what she wanted to sing all along was The Great American Songbook. This announcement tends to be made - how shall I put this? - later rather than sooner. In Jessye Norman’s defence, in 1987, just five years after her landmark, ultra-luscious recording of Strauss’s Four Last Songs, she recorded a disc of Gershwin, Richard Rodgers et al. Read more... |
Royal Concertgebouw Orchestra, Haitink, Barbican HallMonday, 21 May 2012
The last night Haitink conducted at the Royal Opera House as musical director the staff wheeled on a moped as a leaving present. Ever since, his conducting has been inextricably linked to that mode of transport in my head. With Haitink, music-making has always seemed to be about getting from A to B in the most dependable, unfussy and often uninspiring way possible. For years, I haven't been able to see the point of him at all. Read more... |
Classical CDs Weekly: Beethoven, Bruckner, Poulenc, ShostakovichSaturday, 19 May 2012
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Jóhann Jóhannsson, Hauschka, Dustin O'Halloran, BarbicanSaturday, 19 May 2012
“Post-classical” the FatCat label call it, and well they might. All three of the acts who played at the Barbican last night in one way or another used the instrumentation of the classical concert hall but in a way that was completely dislodged from tradition – not raging against it, nor fighting to escape it in the sense of high modernism, nor reviving it, but rather looking back on it as something other, something of a different era. Read more... |
Royal Concertgebouw Orchestra, Jansons, Barbican HallSunday, 13 May 2012
I half expected to hear someone on the platform call out “Is there a doctor in the house?” For Mariss Jansons, principal conductor of the Royal Concertgebouw Orchestra, and esteemed beyond measure, didn’t look well during this concert, the second in the orchestra’s current Barbican residency. Drained from his exertions during Strauss’s Also sprach Zarathustra, he left the platform weary and grey. The following interval was seriously extended. Read more... |
Michael Finnissy: Second & Third String Quartets Kreutzer Quartet (NMC)
Massenet: Werther Rolando Villazón, Sophie Koch, Orchestra of the Royal Opera House/Antonio Pappano (DG)
Bruckner: Symphony No 9 (with Finale completed by Samale-Phillips-Cohrs-Mazzuca) Berliner Philharmoniker/Pages
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