wed 15/10/2025

Classical Reviews

Maxwell Davies Ninth Symphony, RLPO, Petrenko, Philharmonic Hall, Liverpool

Glyn Môn Hughes

The new Ninth Symphony, from the pen of Sir Peter Maxwell Davies, is something of a paradox.  It was commissioned by the Royal Liverpool Philharmonic and the Helskinki Philharmonic Orchestra and is dedicated to the Queen on the occasion of her Diamond Jubilee. And yet it is a round condemnation of the nation’s interventions – called "disastrous" by the composer in his programme notes – in Iraq and Afghanistan.

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Classical CDs Weekly: Bach, Melton Tuba Quartett, OperaBabes

graham Rickson

 

Bach: Brandenburg Concertos, Sinfonias Orchestra of the Antipodes/Antony Walker, Anna MacDonald, Erin Helyard (ABC Classics)

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Amsterdam Baroque Orchestra, Koopman, Christ Church Spitalfields

alexandra Coghlan

It’s one thing for UK Border Control to turn Heathrow’s Arrivals into a giant theme-park queue, but it’s quite another when they start messing with our music. Paperwork issues yesterday saw one Japanese and two Korean members of the Amsterdam Baroque Orchestra denied entry to the UK, leaving Ton Koopman and his band too under-staffed to attempt their planned Brandenburg Concerto.

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Murray Perahia, Barbican Hall

Ismene Brown

What an era for pianists it was in the four decades from 1800 to 1840, the era covered by Murray Perahia’s recital last night. Beethoven, Schumann, Schubert and Chopin all in full verdant flight, selected for a programme of much fantasy and dancing rhythms, in which the translucent, crystalline playing of the American found and told multiple stories.

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Classical CDs Weekly: Michael Finnissy, Joel Frederiksen, Tine Thing Helseth

graham Rickson

 

Michael Finnissy: Second & Third String Quartets Kreutzer Quartet (NMC)

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London Symphony Orchestra, Tilson Thomas, Barbican Hall

Daniel Ross

Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a spoiler. It was nice to know exactly which themes are attributed to which dedicatee, but you couldn’t help but feel the surprises in the work have been somewhat spiked by this little lecture.

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Knussen Sixtieth Birthday, CBSO Centre, Birmingham

stephen Walsh

Ask any young composer in this country who is the most important figure in modern British music, and the answer is likely to come back quick and sharp: Oliver Knussen.

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Classical CDs Weekly: Massenet, David Russell, Weinberg

graham Rickson

 

Massenet: Werther Rolando Villazón, Sophie Koch, Orchestra of the Royal Opera House/Antonio Pappano (DG)

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Delius: Composer, Lover, Enigma, BBC Four

graham Rickson

Serious programmes about classical music are now virtually invisible on the major channels. There’s always BBC Two’s Maestro at the Opera, I hear you shout. Or something with that nice Gareth Malone. A good selection of Proms will be shown live on BBC Four, but with luck will scrupulously avoid the witless interviews with celebs in lieu of proper interval talks...

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Jessye Norman, Royal Festival Hall

David Benedict

There comes a point in almost every great soprano’s career when she tells the world that Tosca, the Marschallin or Isolde be damned: what she wanted to sing all along was The Great American Songbook. This announcement tends to be made - how shall I put this? - later rather than sooner. In Jessye Norman’s defence, in 1987, just five years after her landmark, ultra-luscious recording of Strauss’s Four Last Songs, she recorded a disc of Gershwin, Richard Rodgers et al.

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