sun 29/12/2024

Classical Reviews

BBC Symphony Orchestra, Gardner, Barbican Hall

alexandra Coghlan

It’s typical: you wait ages for a Belshazzar’s Feast and then two come along at once. And judging by the performance delivered by Ed Gardner and the BBC Symphony Orchestra and Chorus last night, Andrew Nethsingha and his massed Cambridge choirs will have their work cut out to follow it next week at the Royal Festival Hall.

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Classical CDs Weekly: Honegger, Paul Hillier, Libera

graham Rickson

 

Honegger: Une cantate de Noël, Pastorale d’été, Symphony No 4 London Philharmonic Orchestra and Choir, New London Childrens’ Choir/Jurowski (LPO)

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Anne Schwanewilms, Charles Spencer, Wigmore Hall

David Nice

Now that Margaret Price is no more and Kiri's well past her heyday, whose is the most limpid soprano of them all? "The beautiful voice" was a label slapped by PR on Renée Fleming, but that fitfully engaging diva is all curdled artifice alongside Anne Schwanewilms, the German soprano who shines in Strauss and should be an example to any singer for ease, charm and what to do with the hands in the exposed light of song recital.

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Khatia Buniatishvili, Wigmore Hall/ Pierre-Laurent Aimard, Queen Elizabeth Hall

David Nice

Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts.

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Louis Lortie, Wigmore Hall

David Nice

It was Chopin time when I last heard Louis Lortie, and a typical London clash of scheduling allowed me to catch his effervescent Op 10 Études before pedalling like crazy north of the river for the second half of Elisabeth Leonskaja’s even bigger all-Chopin programme. Last night Lortie offered a comparably monumental homage to this year's bicentenary birthday boy Liszt in all his Italian-inspired variety, and there was no need to miss, or to wish to miss, a note.

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Classical CDs Weekly: Bartók, Tchaikovsky, Edwards, Sibelius, John Wilson

graham Rickson

 

Sokolov plays Bartok and TchaikovskyBartók: Violin Concerto No 2, Tchaikovsky: Violin Concerto Valeriy Sokolov Tonhalle-Orchester Zürich/David Zinman (Virgin)

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Trpčeski, Australian Chamber Orchestra, Tognetti, Queen Elizabeth Hall

alexandra Coghlan

A music broadcaster commented after last night’s concert by the Australian Chamber Orchestra that all the hype, all the talk about the surf-obsessed, free-spirited leader Richard Tognetti, had left her half expecting them to surf onto the stage of the Queen Elizabeth Hall. As they walked on however (decorously, and rather more smartly dressed than most English groups) we were reminded that there’s nothing gimmicky about this ensemble.

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Mutter, London Symphony Orchestra, Gergiev, Barbican Hall

David Nice

Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina.

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Classical CDs Weekly: Bach, Beethoven, Simon Keenlyside

graham Rickson

 

Ivo Janssen's Bach keyboard music

Bach: Complete Keyboard Works Ivo Janssen (Void Classics)

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Anne Teresa De Keersmaeker & Jérôme Bel, 3Abschied, Sadler’s Wells

Judith Flanders

When the subject of funding for the arts arises, the phrase “allowed to fail” is frequently heard: artists must be enabled to try new things, press against the outer edges of what they know. Enter Anne Teresa De Keersmaeker and Jérôme Bel, two of contemporary dance’s thinkers. They have tried, and failed, to choreograph the final section of Mahler’s Das Lied von der Erde, and in that attempt, they have produced an extraordinary evening: the anatomy of a failure.

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