Classical Reviews
theartsdesk at the Kilkenny Arts Festival 2022 - a safe space to reflect on horrorsThursday, 18 August 2022
Essay-writing can be a great art, at least when executed by Hubert Butler of Kilkenny, on a par - whether you know his writing or not, and you should – with Bacon, Swift and Orwell. The same goes for speechifying. That level I witnessed, at the start of my three days at the Kilkenny Arts Festival, from Masha Gessen delivering the Hubert Butler Annual Lecture, and at the end from Professor Roy Foster, Fiona Shaw and the winner of this year’s Huber Butler Essay Prize, Kevin Sullivan. Read more... |
Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonistWednesday, 17 August 2022
It does need saying: the RPO may receive less frequent plaudits than some of their London peers, but this is a fine and wonderfully responsive orchestra with a distinctive character. Read more... |
Prom 39, Hartwig, BBCSO, Oramo review - bright and breezy followed by a curate's eggTuesday, 16 August 2022
Two quirky concertos – one for orchestra, though it might also be called a sinfonietta – and a big symphony: best of British but, more important, international and world class. Sakari Oramo and the BBC Symphony Orchestra sounded glorious throughout from my seat – at 7 of the Albert Hall clock if the conductor is at 12 – but the eccentric charms of Mark-Anthony Turnage and Vaughan Williams fared better than the elusive soul of Elgar. Read more... |
Chineke! Chamber Ensemble / Martineau & Osborne / SCO, Marshall, Edinburgh International Festival 2022 review - great musicians, not always great musicMonday, 15 August 2022
What happens when great musicians play weak music? I couldn’t help but think about that while I listened to the musicians of Chineke! Chamber Ensemble (★★) on Friday morning in Edinburgh’s Queen’s Hall. Chineke! was founded to provide opportunities for black and ethnically diverse classical musicians, so it’s a logical step for them also to promote music written by non-white composers, too. Read more... |
Prom 35, Wang, Oslo Philharmonic, Mäkelä review - crystalline fantasy and levitational brillianceSaturday, 13 August 2022
Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw Orchestra in 2027, knows exactly where he’s going: a crucial asset in the idiosyncratic ebb and flow of orchestral oddities by Sibelius and Strauss. So, too, does pianist Yuja Wang; boundless imagination matched to phenomenal technique made something far more fascinating than usual of Liszt’s First Piano Concerto. Read more... |
Prom 34, Soltani, BBC Philharmonic, Ollikainen review - journeys into inner worldsFriday, 12 August 2022
Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places and people. Well, maybe not – but it was hard to banish all thoughts of geography, even of biography, at the Proms as the BBC Philharmonic under Eva Ollikainen travelled from Anna Thorvaldsdottir’s chthonic Iceland to Sibelius’s composite Italy-Finland by way of the intensely subjective journey embodied in Elgar’s Cello Concerto. Read more... |
Prom 31, Alder, Ulster Orchestra, Rustioni review - a summer night's dreamWednesday, 10 August 2022
The Ulster Orchestra’s Prom finished early to accommodate a late-night concert by the esteemed Tredegar Band – but by then, we’d already enjoyed one spectacular brass showcase. Under its justly-praised chief conductor Daniele Rustioni (formerly assistant to Antonio Pappano at Covent Garden), the Belfast-based outfit crackled and glowed in every department but especially at the back, where a robust, assured and often lyrical brass team delighted a virtually full house. Read more... |
Prom 27, Dinnerstein, National Youth Orchestra, Gourlay review - colour symphoniesMonday, 08 August 2022
Danny Elfman – the punk rocker-turned-film composer behind Batman, Spider-Man, Edward Scissorhands and The Simpsons – reports that he felt sceptical when first approached to write for the National Youth Orchestra of Great Britain. Why? Simply because “they were a youth orchestra”. As Homer himself might say, “D’oh!”. Read more... |
Prom 19, Hallé, Elder review - cinematic drama, and plenty of itMonday, 01 August 2022
Trickling or gushing in torrents, lapping rhythmically or slopping out all over the floor: water was the constant, flowing steadily through the centre of the Hallé’s Proms performance. Read more... |
Prom 17, Walshe, Tsallagova, Shenyang, NYC, BBCSSO, Volkov review - the sublime and the (enjoyably) ridiculousSaturday, 30 July 2022
The giraffe still baffles me. This model beast appeared stage right at the Royal Albert Hall during Jennifer Walshe’s The Site of an Investigation, only to be loudly wrapped by a pair of percussionists and then removed. A critique of mindless consumerism, a satire on the destructive domination of nature (both among this work’s sprawl of themes), or a little absurdist interlude of the kind Walshe evidently enjoys? Read more... |
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