Classical Reviews
theartsdesk at the Pärnu Music Festival 2022 - conductors from 15 to 85, and the greatest playersWednesday, 27 July 2022
When I first came to Estonia with a then still-exiled Neeme Järvi and his Gothenburg Symphony Orchestra in 1989, the world-class young musicians who dazzled at this year’s Pärnu Music Festival hadn’t been born. Read more... |
Quo vadis, Three Choirs Festival review - a hundred minutes of smug serenity and flowing pietyTuesday, 26 July 2022
Once upon a time the Three Choirs Festival conjured up a single image, that of the English Oratorio – the grand choral solemnification of everything that was most profound in Anglican thought (though ironically its greatest exemplar, Elgar’s Dream of Gerontius, was irretrievably Catholic, and one Anglican bishop is supposed to have said he wouldn’t allow it into his cathedral). Read more... |
Prom 9, Finch, BBC National Orchestra of Wales, Matiakh review - thrilling, conceptually fascinating eveningFriday, 22 July 2022
The spirit of Sir Richard Burton loomed large over the Royal Albert Hall last night – a man who wrote about everything from falconry to erotica and whose death-defying expeditions took him across the Middle East, Africa and the Americas. Read more... |
Prom 8, Kozhukhin, BBCSO, Stasevska review - Russian classics meet contemporary IcelandThursday, 21 July 2022
Russia meets Iceland: not the most obvious of juxtapositions. Read more... |
Prom 7, Dido and Aeneas, La Nuova Musica review - bold and original from the startWednesday, 20 July 2022
How do you celebrate one of epic poetry’s richest female characters, a queen renowned across the Middle East and North Africa for being as politically powerful as she was magnetic? For Nahum Tate, the librettist for Dido and Aeneas, the curious answer is to push aside Dido’s achievements as a ruler and city builder and replace Virgil’s stirring metaphor for her plight with something, well, a little tamer. Read more... |
Prom 6, BBC Philharmonic, Davis review - a bracing pair of British symphoniesWednesday, 20 July 2022
The ferocity of Tuesday's heat wasn’t reflected in the pleasantly air-conditioned Royal Albert Hall – the coolest I had felt all day – but was in the intense playing of the BBC Philharmonic, in a pair of knotty and urgent British symphonies. Read more... |
Gillam, Brodsky Quartet, Manchester Camerata, Buxton International Festival 2022 review - a freshness in classic ElgarWednesday, 20 July 2022
It’s an ill heatwave that brings nobody any good, and Buxton International Festival’s decision to move its highlight concert, by Manchester Camerata with Jess Gillam and the Brodsky Quartet as their guests, from the Buxton Octagon to St John’s Church meant not only that it was heard in probably the only coolish venue in town yesterday afternoon, but also that it benefitted from an acoustic that’s excellent for instrumental music. Read more... |
Prom 5, Power, BBC Philharmonic, Mena review - detail and breadthTuesday, 19 July 2022
I had anticipated a sweltering evening at the Albert Hall. Sadly, though, the heatwave prevented me from even getting there – buckled rails or some similar problem led to the cancellation of my train. So this review is of the Radio 3 broadcast, heard on headphones in the comfort and relative cool of my back garden. Read more... |
Prom 2, Walker, Sinfonia of London, Wilson review - sensuousness and subtlety in excelsisMonday, 18 July 2022
Had Claudio Abbado conducted the Berlin Philharmonic in a major Elgar orchestral work – and to my knowledge he never saw the light about the composer’s due place among the European greats – it might have sounded something like last night’s “Enigma” Variations. Yes, John Wilson and his superband Sinfonia of London really are in that league. Elgar’s cavalcade of character-studies, both inward and extrovert, is the ultimate test, the most varied of masterpieces in a various programme. Read more... |
Prom 1, Verdi's Requiem, BBCSO, Oramo review - introspective sorrow and consolation between the blazesSaturday, 16 July 2022
Any sensitive festival planner knows to begin the return to a new normal with something soft and elegiac – reflecting on all we’ve lost and mourned these past two years, as well as what we’re facing in the world now. Just over a fortnight ago, at the East Neuk Festival, the Elias Quartet led us gently by the hand with James MacMillan’s Memento. The 2022 BBC Proms began pianissimo, massed forces at the ready for the intermittent blazes of Verdi’s Requiem. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Death in Paradise Christmas Special, BBC One review - who ki...
Though Death in Paradise is an Anglo-French production filmed in Guadeloupe, in the French West Indies, the Frenchness seems to have...
The English Concert, Bicket, Wigmore Hall review - a Baroque...
Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The...
The Unthanks in Winter, Cadogan Hall review
A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane...
Albums of the Year 2024: Everything Everything - Mountainhea...
There are some years where my pick for album of the year is obvious; something stands out so...
Music Reissues Weekly: Hawkwind - X In Search Of Space, Dore...
One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album...
Twelfth Night, Royal Shakespeare Theatre review - comic ener...
It is not just Twelfth Night, it’s Twelfth Night, or What You Will in The Folio,...
Blu-ray: Hitchcock - The Beginning
There's a tension in Alfred Hitchcock’s early films between misogyny and condemnation of...
Albums of the Year 2024: Samara Joy - Portrait
From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been...