fri 27/12/2024

Classical Reviews

Pavel Kolesnikov and Samson Tsoy, Bold Tendencies review - visions under the car-park roof

David Nice

Before the not-quite-clear all-clear was given for distanced performances indoors, Bold Tendencies already had the perfect summer solution in the floor space beneath its rooftop terrace in Peckham’s former multi-storey car park.

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Charles Owen, Fidelio Orchestra Café review - high-profile, robust romantics

David Nice

Composer Gian-Carlo Menotti once asked rhetorically what society wanted of performing artists – “the bread of life or the after-dinner mint?” There were a couple of audience members last night – unique in my experience so far of the Fidelio Orchestra Café’s set-up – who clearly wanted pianist Charles Owen’s recital to be the pre-dinner amuse-bouche; one was reading a book from the start, another came...

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The Telephone, Scottish Opera/Cargill, RSNO, Søndergård, Edinburgh International Festival online - human emotions in digital form

Miranda Heggie

Lockdown, perhaps more than any other time, has amplified how modern technology can be both a blessing and a curse. Of course, it’s wonderful to have the means to connect with friends and family scattered across the globe; carry on working, learning, eating, praying etc. with others; and enjoy art in new and innovative ways, such as this particular digital series.

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Louis Schwizgebel, Fidelio Orchestra Café review – gilt-edged postcards from around the world

David Nice

A front-rank pianist only takes on Musorgsky’s Pictures at an Exhibition in full confidence of being able to handle the massive bells and blazing chants of its grand finale, “The Great Gate of Kiev”. To risk it in a far from large café space adds to the element of danger and excited anticipation.

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Pavel Kolesnikov, Fidelio Orchestra Café review – a Chopin cosmos

David Nice

There is genius not only in the rainbow hues of Pavel Kolesnikov’s playing but also in the way his chosen programmes resonate. He’s given us interconnected wonders from across the centuries, but chose to focus on the greatest of composers for the piano in only his third such recital.

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theartsdesk at the Pärnu Music Festival 2020 – great live orchestra, ecstatic audience

David Nice

“At the Pärnu Music Festival 2020” were words I never expected to type. A fortnight ago Estonia finally upped its non-quarantinable country rate from 15 to 16 infections in every 100,000 people (the UK was then on 15.9; our unfathomable Foreign Office has not, to my knowledge, returned the compliment, despite Estonian rates being next to 0 for weeks).

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BBC Lunchtime Concerts from Glasgow's City Halls, BBC Radio 3 review - a feast for ears if not for eyes

Miranda Heggie

After the success of BBC Radio 3’s live lunchtime broadcasts from the Wigmore Hall, live music is now kicking off again north of the border, with four concerts broadcast from City Halls, Glasgow, presented by...

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Kanneh-Mason, Philharmonia, Wilson online review - light in darkness

Jessica Duchen

Presenting online concerts has been a Matterhorn-steep learning curve for the music sector. Now, after a few months in which imaginations have been tested to the limit, it’s becoming clear what works and what doesn’t.

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Alina Ibragimova, Samson Tsoy, Fidelio Orchestra Café review – cataclysms and calm on the Clerkenwell Road

David Nice

The Fidelio Orchestra Café is where you go for electric-shock and deep immersion therapy from the greatest of musicians.

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This House is Full of Music, Imagine..., BBC One review – a spring dream of a lockdown concert

David Nice

No happy family, surely, was ever quite like this one. Love and mutual respect bound up with music-making at the highest level make the Kanneh-Masons of Nottingham a role-model for this country in times of trouble, with their reiterated message that music is for everyone, something to be shared at every level.

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