Classical Reviews
Charpentier Christmas settings, Solomon's Knot, St John's Smith Square review - pastoral shadesTuesday, 10 December 2019
There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. Read more... |
Les Arts Florissants, Christie, Agnew, Barbican review – splendid Baroque knees-upTuesday, 10 December 2019
“How many times have you heard the conductor sing?” asked William Christie after the final number, but before the two encores, of Sunday night’s 40th birthday celebration for his ensemble Les Arts Florissants. Well, lovers of old recordings know that you sometimes get plenty of impromptu vocalisation from the likes of Bernstein and Barbirolli. Read more... |
Requiem for Hieronymus Bosch, BBCSO, Bychkov, Barbican review – fire and brimstone on a flat canvasMonday, 09 December 2019
“Hieronymus!” bellowed David Wilson Johnson from the Barbican Hall’s circle on Saturday evening. “Hieronymus Bosch!” Commissioned by Dutch radio for a big piece to mark 500 years since the passing of the Dutch painter in 1516, the German composer Detlev Glanert wrote a Requiem. Read more... |
Choirs of St Catharine's College, Cambridge, Wickham, Kings Place review - fresh take on 'lessons and carols'Monday, 09 December 2019
At this time of year the musical world – and particularly the choral world – is full of festive concerts, and the challenge can be to find programmes venturing off the well-worn path of traditional favourites. Read more... |
Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstractionFriday, 06 December 2019
Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else altogether. Read more... |
Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!Thursday, 05 December 2019
Benjamin Britten died on 4 December 1976. Last night’s Wigmore Hall concert, on the 43rd anniversary of his passing, proved that his real legacy lies not in inert acts of homage but a living engagement both with his work, and the unruly energies that drove it. Read more... |
Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonoritiesTuesday, 03 December 2019
Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased. Read more... |
Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and genialityMonday, 02 December 2019
There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second of two Barbican concerts with Iván Fischer and his Budapest Festival Orchestra... Read more... |
Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11Monday, 02 December 2019
This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”. Read more... |
Behzod Abduraimov, Queen Elizabeth Hall review - enchanting engagement and breathtaking virtuosityWednesday, 27 November 2019
Given the number of audience members playing air-piano along with parts of Pictures at an Exhibition, Behzod Abduraimov should perhaps be described as a pianist’s pianist. He is nevertheless a great deal more than that. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Hamad Butt: Apprehensions, Whitechapel Gallery review - cool...
Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they...
Album: Van Morrison - Remembering Now
When Van Morrison last released an album of original songs, during the Covid pandemic, it didn’t go down well. Indeed for many,...
Ballerina review - hollow point
John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...
Caroline, Islington Assembly Hall review - south London octe...
In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....
theartsdesk in Fes - world music central
With WOMAD not happening this year, where could one go for a feast of...
Songhoy Blues, Hare & Hounds, Birmingham review - West A...
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...
Album: Pulp - More
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more...
Goebbels and the Führer review - behind the scenes from the...
“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...