Classical Reviews
Ólafsson, Hallé, Mäkelä, Bridgewater Hall, Manchester review - exciting new facesFriday, 20 September 2019
The Hallé Orchestra has a good track record when it comes to bringing in young talents with exciting prospects, and its 2019-20 season begins with the newly appointed Finnish chief conductor designate of the Oslo Philharmonic, Klaus Mäkelä, on the rostrum, and the young Icelander Víkungur Ólafsson as solo pianist. Read more... |
Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-Koenig, Symphony Hall, Birmingham review - cross-country friendships flourishThursday, 19 September 2019
Celebrating the friendship between the two great 20th-century composers, the Britten-Shostakovich Festival Orchestra launched this year. Read more... |
Beethoven Festival Weekend, Wigmore Hall review 1 - sparkle and charisma versus creative overkillMonday, 16 September 2019
While the Proms were ringing out the old season, the Wigmore Hall ushered in the big celebration of 2020: the 250th anniversary of Ludwig van Beethoven’s birth. Read more... |
Beethoven Festival Weekend, Wigmore Hall review 2 - total mastery in tone and depthMonday, 16 September 2019
Any festival would be proud and honoured to end with the great Elisabeth Leonskaja playing the last three Beethoven piano sonatas. Here the Everest was swiftly scaled as the tenth concert of a packed Wigmore Hall weekend. Read more... |
LSO, Rattle, Barbican Hall review – visions of the beyondMonday, 16 September 2019
Simon Rattle has a knack for unearthing large-scale orchestral works that pack a punch. Olivier Messiaen’s Éclairs sur l’Au-Delà … (Illuminations of the Beyond …) was completed in 1991, a year before the composer’s death, and is both a reflection on mortality and a summation of his life’s work. Read more... |
Last Night of the Proms, Barton, BBCSO, Oramo review – woke not brokeSunday, 15 September 2019
The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. Read more... |
Prom 72/3: Aurora Orchestra, Collon review – Berlioz not quite lost in showbizFriday, 13 September 2019
For a few seconds last night, the Royal Albert Hall turned into London’s biggest – and cheesiest – disco. Read more... |
Prom 71: Dunedin Consort, Butt review – Bach to the drawing-board pleaseThursday, 12 September 2019
Blame it on the box set. The four Bach Orchestral Suites fit neatly together as a recording project. They used to fill out the four sides of a double LP back in the early stages of the baroque revival. Completists and collectors could rejoice then, and with many more versions to choose from, they still can now. Read more... |
Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passionsWednesday, 11 September 2019
Semyon Bychkov was a surprising choice to take over the Czech Philharmonic last year, a conductor with few obvious connections to Czech music. But on the strength of this visit to the Proms, they make a good team. Read more... |
Prom 68: Goerke, Gould, RPO, Albrecht review - the art of transitionTuesday, 10 September 2019
Known as "Heldenmommy" to her fans on Twitter, Christine Goerke is a Wagner soprano of and for our time. You won’t find her recordings on the major-label behemoths but her reputation is built on two decades of producing the goods night after night at opera houses across the US, notably the Metropolitan in New York. Read more... |
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