Classical Reviews
Sean Shibe, Wigmore Hall review - mesmerising journey from light to darkSaturday, 07 March 2020
"All true spiritual art has always been RADICAL art": thus spake the oracular Georges Lentz, composer of the pitch-black odyssey for electric guitar that took everyone by surprise last night. Read more... |
SCO, Emelyanychev, Usher Hall, Edinburgh review - Beethoven at too insistent a lickFriday, 06 March 2020
Fast is fine in Beethoven, so long as you find breathing-spaces, expressive lines and crisp articulation within it. Read more... |
Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversityThursday, 05 March 2020
The tough, knotty writing of the Missa solemnis – its “unrelenting integrity”, Donald Runnicles said in a pre-concert interview – was addressed unflinchingly last night by the BBC Symphony Orchestra and Chorus. They have a distinguished history with the piece, having given memorable Proms performances with Sir Colin Davis and Bernard Haitink – and remembered now by a hissy tape transfer, Pierre Boulez to open the 1972 season. Read more... |
Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrowSaturday, 29 February 2020
Three works two centuries apart, two of them rarities, with 100/200 years between each: that's no guarantee for programming success, and no way to fill a hall (though the London Philharmonic Orchestra admin deserves a good medal for the intricacy of its “2020 Vision” series planning, linked to the Beethoven anniversary and explained by Gavin Dixon in his review of Vladimir Jurowski’s launch concert earlier this month... Read more... |
Hallé, Elder, Gernon, Bridgewater Hall, Manchester, review - fiery Beethoven tributeFriday, 28 February 2020
Honouring Beethoven in Manchester is a united enterprise, at least between the Hallé and BBC Philharmonic, two symphony orchestras that have worked out a series of Beethoven specials between them. Read more... |
Grosvenor, Park, Ridout, Soltani, QEH review - inspired collegiality at the highest levelFriday, 28 February 2020
Gustav Mahler and Richard Strauss are not the composers you'd hear at a typical chamber music concert. Their early efforts at piano quartets made up the first half of an evening at the Queen Elizabeth Hall with Benjamin Grosvenor and friends that was, in any case, far from typical. Topped off with the mature Brahms’s Third Piano Quartet, wasn’t it going to be too much rugged Alpine rocky road? In the hands of these youthful musicians, it wasn’t. The audience couldn’t get enough of them. Read more... |
Simon Trpčeski, Barbican review - a charismatic chameleonWednesday, 26 February 2020
When Macedonian pianist Simon Trpčeski first bounced on to the concert scene, he seemed part will-o-the-wisp, part jack-in-the-box, a real personality of coruscating brilliance. Read more... |
Gabetta, NHK SO, Järvi, RFH review - transparency and dynamismTuesday, 25 February 2020
This concert represented the British leg of the NHK Symphony Orchestra’s European tour. Tokyo’s radio orchestra is Japan’s flagship ensemble, and they are fine advocates for the country’s thriving musical culture, the playing precise and the tone focused. Read more... |
Joanna MacGregor, Adrian Brendel, Gildas Quartet, Wigmore Hall review - gold and silverTuesday, 25 February 2020
Startlingly high levels of expression and focused fire made this rich concert worthy of the dedicatee who radiated those qualities, Jacqueline du Pré. Read more... |
Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethoven as avant-gardistSaturday, 22 February 2020
In Beethoven anniversary year, there are three ways to enhance our ongoing concert dialogues with the composer beyond the bog-standard overture-concerto-symphony format: complete cycles of the quartets, symphonies and sonatas, preferably without old vulgarians presenting; focusing on Beethoven and his contemporaries, including programmes recreated from the early 1800s; and linking the genius with what our... Read more... |
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