Classical Reviews
Alina Ibragimova, Samson Tsoy, Fidelio Orchestra Café review – cataclysms and calm on the Clerkenwell RoadWednesday, 15 July 2020![]()
The Fidelio Orchestra Café is where you go for electric-shock and deep immersion therapy from the greatest of musicians. Read more... |
This House is Full of Music, Imagine..., BBC One review – a spring dream of a lockdown concertMonday, 13 July 2020![]()
No happy family, surely, was ever quite like this one. Love and mutual respect bound up with music-making at the highest level make the Kanneh-Masons of Nottingham a role-model for this country in times of trouble, with their reiterated message that music is for everyone, something to be shared at every level. Read more... |
Classical music/Opera direct to home 20 - more signs of musical life around the UKSaturday, 11 July 2020![]()
So, arts people, you’ve had precisely two days to get your outdoor events ready, so where are they? Well, it seems that Glyndebourne had advance notice and will be holding its garden concerts soon, though they sold out almost immediately. Opera Holland Park will be doing something later this month; these and others are adaptable and inventive, given half a chance. Read more... |
Steven Isserlis, Fidelio Orchestra Café review – distilled reflection, joy and witThursday, 09 July 2020![]()
What music would you choose to hear for your first live event after nearly four months of lockdown? For me, it would be Bach, and probably any one of the Cello Suites. Interpreter? Read more... |
Mark Padmore, Mitsuko Uchida/ Benjamin Baker, Timothy Ridout, Wigmore Hall online/BBC Radio 3 review – hail and farewellSunday, 28 June 2020![]()
Of course, we just had to end with a midsummer Winterreise. The Wigmore Hall’s month of lockdown concerts for BBC Radio 3 had begun with a legendary elegy – the Chaconne from Bach’s D minor Partita, written according to musical folklore in memory of his first wife, with which Stephen Hough so gravely, beautifully, broke the pandemic silence on 1 June. Read more... |
Live from Covent Garden 2, Royal Opera and Ballet online review - heaven and earth in a nutshellWednesday, 24 June 2020![]()
Solitude, mortality and transcendence have never been more profoundly expressed in music than by Mahler, who composed Das Lied von der Erde (The Song of the Earth) in the valley of the shadow of death (too superstitious to give it the name of Ninth Symphony, though that and a sketched-out Tenth did follow, he never lived to hear it performed). Read more... |
Alina Ibragimova, Kristian Bezuidenhout/Iestyn Davies, Elizabeth Kenny, Wigmore Hall online/BBC Radio 3 review - two perfect pairingsTuesday, 23 June 2020![]()
Last Tuesday’s offering from the Wigmore Hall’s series of live broadcasts was a fiery recital from Russian violinist Alina Ibragimova partnered by pianist Kristian Bezuidenhout. Read more... |
Ailish Tynan, Iain Burnside/Allan Clayton, James Baillieu, Wigmore Hall online/BBC Radio 3 review – alone togetherSaturday, 20 June 2020![]()
Loneliness haunts the solo song – not simply all those solitary wanderers and defiant wayfarers of the Lied tradition, but the forsaken lovers and questing pilgrims who fill the folk-song repertoire of many lands. Read more... |
Roderick Williams, Joseph Middleton, Wigmore Hall online/BBC Radio 3 review - gender roles in song examinedMonday, 15 June 2020![]()
I'm not sure if it was the beauty of Roderick Williams’s velvety vocals, the poignant delight of seeing a live performance in a concert hall after all this time, or my generally unusual frame of mind during lockdown that caused me to immediately burst into tears at the opening bars of Schubert’s "Gretchen am spinnrade" ("Gretchen at the Spinning Wheel"), but the fact no other audience members were... Read more... |
Paul Lewis/Hyeyoon Park, Benjamin Grosvenor, Wigmore Hall online/BBC Radio 3 review - tranquil Schubert, fiery FranckThursday, 11 June 2020![]()
The Wigmore Hall’s triumphant series of lockdown lunchtime concerts by the finest of local recitalists is not without an audience; it’s just that the performers can’t see them. Read more... |
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