Classical Reviews
Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factorThursday, 20 February 2020
There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The Fountains of Rome, and it comes right after the first flood of the Triton Fountain starts to recede. |
Michael Collins, Michael McHale, London Winds, Wigmore Hall review - flying the flag for wind chamber musicTuesday, 18 February 2020
In a week when my colleague Jessica Duchen was delighted by the Kaleidoscope Chamber Collective, last night’s concert, also at Wigmore Hall, by Michael Collins and London Winds showed that chamber music with winds need not be the poor relation of that with strings. Read more... |
Kaleidoscope Chamber Collective, Wigmore Hall review - a joyous celebrationMonday, 17 February 2020
Nobody could deny that this was a weekend when we needed cheering up. The place for that was the Wigmore Hall, which played host to a recently formed “shape-shifting” ensemble of superb young soloists. The Kaleidoscope Chamber Collective was launched in 2017 by the violinist Elena Urioste and pianist Tom Poster (incidentally, they got married last summer). Read more... |
Elysian Singers, SPCMH, Sam Laughton, St Luke’s, Chelsea review - John Cage and friends given a rare airingMonday, 17 February 2020
In my reviewing for theartsdesk I like as much as possible to ski off-piste, reaching areas of repertoire, performer and venue that mainstream coverage doesn't. There is much great music-making that flies, to mix my metaphors, under the radar, but which is well worthy of being written about. Read more... |
Acis and Galatea, The Sixteen, Christophers, Cadogan Hall review – pocket-sized pastoral pleasuresWednesday, 12 February 2020
Nymphs and shepherds – go away? In music, as in art or literature, the pastoral fripperies of the Baroque age can feel utterly alien to modern tastes. Those dalliances, seductions and abductions in the Arcadian landscapes of myth may cease to entice in an era that takes sexual violence seriously, while we scorn play-acting toffs who ape the lifestyle of some idealised peasantry, Marie Antoinette-style. Read more... |
Lise Davidsen, James Baillieu, Barbican review - opulence and the promise of greatnessTuesday, 11 February 2020
So much pressure is on for Lise Davidsen to be the next Kirsten Flagstad or Birgit Nilsson, but the question has to be asked: is this just The Voice - a big "just" when a dramatic Wagnerian soprano is at stake - or The Complete Artist? Read more... |
Angelich, Aurora Orchestra, Collon, Kings Place review - warm embraces from good companionsMonday, 10 February 2020
"New Dawns" as a title smacked a bit of trying to shoehorn a fairly straightforward Aurora programme in to Kings Place's Nature Unwrapped series. Only Dobrinka Tabakova's short and sweet Dawn made the link, and that was old, not new (composed in 2007). Read more... |
Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'Monday, 10 February 2020
It’s Beethoven with everything for 2020, the composer’s 250th anniversary year. But the London Philharmonic has devised an interesting approach for their Beethoven-themed programming. Read more... |
Beatrice Rana, Wigmore Hall review - fantasy and sonority writ largeSaturday, 08 February 2020
Not even the unengaged or terminally weary could have dozed through this. Pianists have often commented how the Wigmore Steinway is too big for the hall, and most adjust accordingly. Read more... |
Garvey, Quatuor Zaïde, Classical Vauxhall review - vibrant chamber music for allFriday, 07 February 2020
Three concerts, three fascinating venues, seven world-class young(ish) players, an audience of all ages and a musical storytelling event for 200 schoolchildren: this is how to launch a festival with outwardly modest means. Read more... |
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