Classical Reviews
Shaw, Attacca Quartet, Kings Place review - composer portrait shows strengths and limitationsThursday, 21 November 2019
There aren’t many musicians who could appear as composer, singer and violist on a single programme but that was Caroline Shaw’s lot last night. Read more... |
Wang, Los Angeles Philharmonic, Dudamel, Barbican review - much more than glitz and glamourTuesday, 19 November 2019
The megastars are here at the Barbican, for an intensive three days in the case of the LA Phil and Gustavo Dudamel, throughout the season as the hall shines an "Artist Spotlight" on pianist Yuja Wang. Read more... |
O/Modernt Soloists, Sonoro Ensemble, Wimbledon International Music Festival review - pure instrumental poetryMonday, 18 November 2019
If you're going to run a music festival with flair, it's not enough just to have a run of star performers who pop up for single events. The 11th Wimbledon International Music Festival can offer those – Christian Tetzlaff and Lars Vogt, for instance, were there a week ago. Read more... |
Wegener, LPO, Jurowski, RFH review – on the revolutionary road to MahlerThursday, 14 November 2019
For better or worse, because of Visconti’s classic film the Adagietto of Mahler’s Fifth Symphony now inevitably means Venice in its gloomiest moods. So there turned out to be a grim timeliness in a performance on an evening that coincided with the most devastating “acqua alta” to flood the city in half a century. Read more... |
ECO, Zacharias, Fairfield Halls Croydon review - green-fingered HaydnWednesday, 13 November 2019
Switch off for a phrase or two and it’s easy to miss the point in a Haydn symphony that makes each one of them odd and unique. In No. 74, played last night with understated class by the English Chamber Orchestra, that point occurs in the first movement, at the end of the second theme. All has gone just as you’d expect. Read more... |
Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler ThirdWednesday, 13 November 2019
The Prague Symphony Orchestra are in town, their Cadogan Hall concert the London leg of a UK tour. It’s ambitious, including Mahler’s epic Third Symphony in five different cities, each with a local chorus. The orchestra itself, Prague’s second band, is a spirited and distinctively Central European ensemble. Read more... |
Roméo et Juliette, LSO, Tilson Thomas, Barbican review - surprisingly sober take on Berlioz epicMonday, 11 November 2019
So much was fresh and exciting about Michael Tilson Thomas's years as the London Symphony Orchestra's Principal Conductor (1988-1995; I don't go as far back as his debut, the 50th anniversary of which is celebrated this season). Read more... |
Williams, LPO, Alsop, RFH review - sleek lines and pastoral tonesMonday, 11 November 2019
The London Philharmonic’s Isle of Noises, a year-long festival dedicated to music of the British Isles, drew towards its close with this programme of Butterworth, Elgar and Walton. Marin Alsop was a good choice to lead, especially for Walton’s Belshazzar’s Feast. Read more... |
Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiereSaturday, 09 November 2019
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Read more... |
Poster, Cabeza, Aurora Orchestra, Collon, Kings Place review – shock of the newMonday, 04 November 2019
Mozart’s piano concertos often overflow with good humour, but you seldom expect to hear a hearty chuckle from the audience in the middle of a performance of one. Yet something close to a guffaw burst out around King’s Place when soloist Tom Poster, deep into the last-movement cadenza of Mozart’s Piano Concerto No. 19 in F major, suddenly quoted Gershwin’s Rhapsody in Blue. Read more... |
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